Some books on manga studies that I willing to buy this year.

Manga and the Representation of Japanese History
This edited collection explores how graphic art and in particular Japanese manga represent Japanese history.
The articles explore the representation of history in manga from disciplines that include such diverse fields as literary studies, politics, history, cultural studies, linguistics, narratology, and semiotics. Despite this diversity of approaches all academics from these respective fields of study agree that manga pose a peculiarly contemporary appeal that transcends the limitation imposed by traditional approaches to the study and teaching of history. The representation of history via manga in Japan has a long and controversial historiographical dimension. Thereby manga and by extension graphic art in Japanese culture has become one of the world’s most powerful modes of expressing contemporary historical verisimilitude. The contributors to this volume elaborate how manga and by extension graphic art rewrites, reinvents and re-imagines the historicity and dialectic of bygone epochs in postwar and contemporary Japan.

Mangatopia : Essays on Manga and Anime in the Modern World
While Japanese manga and anime began to make inroads in Western culture about three decades ago, these art forms remained a subcultural phenomenon until the mid-1990s, when the increased distribution of translated manga and anime brought them into the mainstream. In 2007, U.S. sales of manga reached $210 million evidence of a voracious and enthusiastic fan base.

Drawing on Tradition : Manga, Anime, and Religion in Contemporary Japan
Drawing on Tradition examines religious aspects of the culture of manga and anime production and consumption through a methodological synthesis of narrative and visual analysis, history, and ethnography. Jolyon BarakaThomas shows that authors and audiences create and re-create "religious frames of mind" through their imaginative and ritualized interactions with illustrated worlds

Manga's Cultural Crossroad
Focusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga’s culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes "manga culture" in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO.

Published Book

Visual Musicality in Graphic Expression
Digital technologies have converged with digital forms and integrally affected developments in art, music, design, film and literature. Visual communication is undergoing a profound transformation as new technologies continually challenge the way images and things are produced. The problem issued in this study is on the inadequacy of learning visual communication design with the traditional method because of the democratization of desktop digital technology in recent learning environment. This research combines the qualitative and quantitative approach, the study used visual data collection, particularly sketches drawn by participants. Quantitative approach was used in compiling and categorizing data through participant observation, which means researcher took place during data gathering. It is to explore and to discover whether the increase in music and graphics in contemporary era of digitalization, can enhance the essentials of creative design through the analogy between music expressions and graphics elements. This research providing morphology of visual language of music and visual expression, particularly in the study of lines and its composition.

Identity and Form in Alternative Comics, 1967 - 2007

Emma Tinker membuat kajian terhadap komik-komik alternatif Amerika sepanjang tahun 1967-2007. Berikut abstrak darinya:

In the late 1960s, U.S. underground cartoonists established the comic book form as a space for the exploration of personal identity. "Alternative" comics grew out of this tradition as subsequent writers produced work independent of the major comics publishers, aimed at an adult audience and encompassing a broad range of visual styles and narrative content. Throughout the past forty years, British, US and Canadian writers and artists have used this medium to explore questions of selfhood and perception, often implicitly or overtly relating these issues to the form, history and conventions of the comic book itself.

Two main threads run through this discussion of the representation of selfhood: childhood and memory on the one hand and sexuality and gender on the other. This thesis argues that for many creators there exists a useful analogy between the comic book form and mental processes, specifically between the fractured, verbal-visual blend of the comics page and the organisation of human memory. It further suggests that the historical association of comics first with childhood, and subsequently with male adolescence, has conditioned the representation of selfhood in adult comics. Comic book consumption has often centred on a community of predominantly young, white, male, socially marginal readers, buying and collecting serialised narratives. Comics creators' awareness of this audience (either in response or resistance) has affected the content of their work.

Although presented as a chronological narrative, this thesis is not a comprehensive history of Anglophone alternative comics, but centres on eight prominent authors/ artists: Robert Crumb; Dave Sim; Lynda Barry; Julie Doucet; Alan Moore; the collaborative partnership of Neil Gaiman and Dave McKean; and Chris Ware. Whilst spanning a wide range of genres and themes (autobiography, fantasy, gothic horror, parody, soap opera, the grotesque and others) each confronts and negotiates with conventions regarding the representation of selfhood.

Untuk membaca selengkapnya silakan cari dan klik tautan di sebelah kanan antar-muka situs ini. =)

Japanese Visual Culture

Buku in berkenaan mengenai budaya pop Jepang dari sudut pandang dunia manga dan anime.
Ditulis oleh 15 orang peneliti komik Jepang dari berbagai suku bangsa, dan pengantarnya oleh Frederik L.Schodt.

Anjuran saya baiknya memulai dengan membaca bab terakhir bab 14, considering manga discourse oleh jaqueline Berndt.

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Born of Japan's cultural encounter with Western entertainment media, manga (comic books or graphic novels) and anime (animated films) are two of the most universally recognized forms of contemporary mass culture. Because they tell stories through visual imagery, they vault over language barriers. Well suited to electronic transmission and distributed by Japan's globalized culture industry, they have become a powerful force in both the mediascape and the marketplace.This volume brings together an international group of scholars from many specialties to probe the richness and subtleties of these deceptively simple cultural forms. The contributors explore the historical, cultural, sociological, and religious dimensions of manga and anime, and examine specific sub-genres, artists, and stylistics. The book also addresses such topics as spirituality, the use of visual culture by Japanese new religious movements, Japanese Goth, nostalgia and Japanese pop, comics for girls, and more. With illustrations throughout, it is a rich source for all scholars and fans of manga and anime as well as students of contemporary mass culture or Japanese culture and civilization. (review from amazon.com)
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Kajian Komik: studi budaya yg lagi HoT!

Studi atau kajian kritis komik semakin menjadi sebuah disiplin ilmu tersendiri yg dihargai dengan  diluncurkannya sebuah buku berjudul' A COMICS Studies Reader'. Kajian kritis komik bukanlah mengkaji soal bagaimana membuat komik yang baik, tetapi mengkritisi peredaran dan isu-isu penting yg menjadi perhatian dalam komik-komik.
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A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels.

The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories.

A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use.

With Chris Ware and Chris Oliveros, Jeet Heer is editing a series of volumes reprinting Frank King's Gasoline Alley, three volumes of which have been published. A Toronto-based writer, he has written introductory essays to the George Herriman Krazy and Ignatz series.
Kent Worcester teaches political theory at Marymount Manhattan College. He is the author of C. L. R. James: A Political Biography and a member of the Board of Trustees of the Museum of Comic and Cartoon
Art (MoCCA). (from amazon.com)

Sejarah ilustrasi

Buku terbaru dari Steven Heller, pengarang Graphic History yg komprehensif sbg buku pegangan desain grafis. kali ini ia meluncurkan buku visual sejarah ilustrasi. Menarik!

Kartun Ala Gayour

Gayour adalah nama yang tak asing bagi peminat komik kartun era 80-90an di Malaysia. Saya paling suka dengan karakter-karakter cewek-ceweknya yang sederhana tapi cute, mata yang cantik dan bibir yang 'hot' merah merekah. Baru-baru ini beliau berhasil menerbitkan buku belajar kartun.
Berikut ini beberapa halaman dari buku tersebut. Sebuah rujukan membuat karakter komik yang penting bagi calon komikus maupun yang sudah menjadi komikus.

Intepretasi lirik lagu ke dalam medium komik

Tribute to Tori Amos

Buku keren ini, dihasilkan oleh beragam bakat individual dalam dunia kepengarangan komik. Bermacam2 cara menginterpretasikan lirik lagu2 Tori Amos, dan tentu saja beragam jenis ilustrasi yg memukau. Ukuran yg besar penuh warna, dgn harga yg sebandinglah, ibarat slogan sebuah majalah berita, buku Comic Book Tattoo Tales Inspired by Tori Amos ini enak di baca dan perlu.

Imaginative Minds oleh Ilona Roth

Saya menggunakan buku Ilona Roth sebagai rujukan untuk mengembangkan teori komik dari sudut pandang persepsi dan representasi psikologis. Imaginative Minds adalah buku menantang terbaru yang di editorinya. Dalam buku ini berbagai pandangan dari macam-macam disiplin ilmu menelaah keunikan pikiran manusia yang imajinatif.

Drawing Words, Writing Pictures

Companion to your basic collections of How to draw's comics book. Drawing Words and Writing Pictures is a course on comics creation — for college classes or for independent study — that centers on storytelling and concludes with making a finished comic. With chapters on lettering, story structure, and panel layout, the fifteen lessons offered — each complete with homework, extra credit activities, and supplementary reading suggestions — provide a solid introduction for people interested in making their own comics. http://www.firstsecondbooks.com/drawingWords.html

Pictorial Narrative as Comics definition

Dalam kumpulan tulisan ini, Greg hayman dan Henry John Pratt menawarkan pictorial narrative (piktorial naratif) sebagai definisi utk komik, pada bab VIII sub judul "What Are Comics?"

x is a comic if x is a sequence of discrete, juxtaposed pictures that comprise a narrative, either on their own right or when combined with text.

This Means this, introductory to semiotics

This Means THis, this means That. adalah salah satu buku terbaru mengenai semiotika yg dibahas secara visual. An introductory but most comprehensive to semiotics.
Pasangan lainnya adalah Semiotics: The Basics, daniel chandler dan Visible Sign, David Crow. Ketiga buku ini sesuai utk pengantar mendalami semiotika bagi desain grafis.

Buku teori komik perancis

Sebelum ini terbit The System of Comics yang merupakan buku teori komik pertama yang berbeda dari Comics and Sequential Art dan Understanding Comics yang lebih merupakan pandangan umum mengenagi komik. Thiery Groensteen dengan The System of Comics meletakkan dasar-dasar pemikiran untuk komik sebagai disiplin tersendiri. Di buku satu ini, lagi-lagi kajian terhadap komik perancis yang dikenal sebagai Bande Dessinee, Ann Miller membuat sebuah penulisan yang secara umum memperkenalkan pendekatan multidisiplinari terhadap media komik dalam bukunya Reading Bande Dessinee.

Buku-buku menarik untuk desain dan seni

Media Poetry: An International Anthology oleh Eduardo Kac. Buku menarik tentang kehadiran media baru dalam memperbaharui dunia puisi, hologram, proyeksi video bahkan bentuk bioteknologi mengambil tempat sebgai basis bagi sintaks eksperimen.







The Problem of Assessment in Art and Design. Berisikan tentang permasalahan dunia pendidikan seni kontemporer berkaitan dengan tugas-tugas kuliah yang lebih menantang dan untuk mengantisipasi bentuk kesenian di masa depan. Pasangan buku ini adalah Art Education in Postmodern World.

Dan kelanjutan isu-isu pendidikan seni untuk masa depan ini akan dirangkum di buku Educating artists for the Future dan International Dialogues about Visual Culture, Education & Art.

Manuskrip melayu tertua di sumatra

Peneliti huruf Batak, Uli Kozok, arkeolog dari Jerman menemukan manuskrip budaya melayu tua abad ke 13 dari kerajaan Darmasraya di kampung tanjung tanah kabupaten kerinci sumatera selatan. The Tanjung Tanah Code of Law.

Sekedar sharing referensi studi komik_00

Oya, kalau ada referensi atau rujukan di internet, buku atau apa saja, harap tidak keberatan untuk memberitahukan, siapa tau kelak referensi spt ini bisa dipakai bersama-sama dalam mengembangkan studi komik di nusantara tercinta ini. amin.

Sekedar sharing referensi studi komik_05

Komik memadukan elemen kesastraan dan elemen seni rupa, tetapi pada saat yang sama dia tidak pula harus tergantung pada salah satu rejim seni itu, justru kata Will Eisner, komik malah lebih meng-atas-kan kedua-duanya sebagai pencapaian intelektual dalam membaca dan memahami komik.
Berikut ini sedikit rujukan dari literatur dan seni visual atau juga desain.
Literatures:
• Bal, M. (1997). Narratology: Introduction to the Theory of Narrative (2nd ed.). Toronto: University of Toronto Press.
• Barthes, R. (1964). Elements of Semiology. New York: Hill & Wang.
• _______ . (1970). Empire of the Signs. New York: Hill & Wang.
• _______ . (1977). Image, Music, Text. New York: Hill & Wang.
• Chandler, D. (2002). Semiotics: The Basics. London: Routledge.
• Chatman, S. (1978). Story and Discourse: Narrative Structure in Fiction and Film. Ithaca & London: Cornell University Press.
• Christin, A. (2001). A History of Writing: From Hieroglyph to Multimedia. Paris: Flammarion.
• Cobley, P. (Ed.) (2001). Semiotics and Linguistics. London & New York: Routledge.
• Cobley, P. & Jansz, L. (2003). Introducing Semiotics. Cambridge: Icon Books Ltd.
• Eco, U. (1976). A Theory of Semiotics. Bloomington: Indiana University Press.
• Frow, J. (2006). Genre. London & New York: Routledge.
• Gottdiener, M., Boklund-Lagopoulou, K., & Ph. Lagopoulos, A. (Eds.) (2003). Semiotics. London: Sage Publications Ltd.
• Kress, G. (2003). Literacy in the New Media Age. London & New York: Routledge.
• Masinambow, E.K.M. & Hidayat, R.S. (2001). Semiotik: Mengkaji Tanda dalam Artifak. Jakarta: Balai Pustaka.
• Nöth, W. (1995). Handbook of Semiotics. Bloomington & Indianapolis: Indiana University Press.
• Ratna, N.K. (2004). Teori, Metode, dan Teknik Penelitian Sastra: Dari Strukturalisme hingga Poststrukturalisme Perspektif Wacana Naratif. Yogyakarta: Pustaka Pelajar.
• Sunardi, ST. (2002). Semiotika Negativa. Yogyakarta: Kanal.
• Teeuw, A. (2003). Sastera dan Ilmu Sastera. Jakarta: PT Dunia Pustaka Jaya.
• Toolan, M.J. (1998). Narrative: A Critical Linguistic Introduction. London & New York: Routledge.
• Van Leeuwen, T. (2005). Introducing Social Semiotics. London & New York: Routledge.
• Van Luxemburg, J., Bal, M. & Weststejn, W. (1991). Tentang Sastra (Trans. Ikram, A.) Jakarta: Intermasa.
• Wolfreys, J. (1999). Literary Theories: A Reader and Guide. Edinburgh: Edinburgh University Press.
• Wijana, I D.P. (2003). Kartun: Studi Tentang Permainan Bahasa. Yogyakarta: Penerbit Ombak.

Visual, Art and Design:
• Archer, M. (2002). Art Since 1960 (New Edition). London: Thames & Hudson Ltd.
• Arnheim, R. (2004). Art and Visual Perception: A Psychology of the Creative eye (The New Version). California: University of California Press.
• Barnard, M. (2005). Graphic Design as Communication. London & New York: Routledge.
• Bonnici, P. (1999). Visual Language: The Hidden Medium of Communication. Switzerland: RotoVision Book.
• Burgin, V. (1986). The End of Art Theory: Criticism and Post-modernity. Hampshire and London: Macmillan Education Ltd.
• Carroll, N. (2001). Beyond Aesthetics: Philosophical Essays. Cambridge: Cambridge University Press.
• Crow, D. (2003). Visible Sign: An Introduction to Semiotics. Switzertland: AVA Publishing.
• Danto, A.C. (2003). The Abuse of Beauty: Aesthetic and the Concept of Art. Illinois: Carrus Publishing.
• Danto, A.C. (1996). The Philosophical Disenfranchisement of Art. New York: Columbia University Press.
• Dondis, A.D. (1973). A Primer of Visual Literacy. Massachusetts: MIT Press.
• Elkins, J. (2003). Visual Studies: A Skeptical Introduction. New York & London: Routledge.
• Ferni, E. (Ed.) (1995). Art History and Its Methods: A Critical Anthology. London & New York: Phaidon Press Ltd.
• Ferrier, J., & Le Pichon, Y. (Eds.) (1999). Art of the 20th Century: The History of Art Year by Year from 1900 to 1999 (Trans. Davidson, L., & Glanze, W.D.). Edition du Chene.
• Gombrich, E.H. (1972). Art and illusion: A study in the psychology of pictorial representation. London: Phaidon Press.
• Harris, J. (2001). The New Art History: A Critical Introduction. London: Routledge.
• Kieran, M., & Lopes, D.M. (Eds.) (2003). Imagination, Philosophy, and the Arts. London: Routledge.
• Kingston, A. (2003). What is Drawing? London: Black Dog Publishing.
• Klaten, R., & Hellige, H. (2005). Illusive: Contemporary Illustrations and Its Context. Berlin: Die Gestalten Verlag GmbH & Co.
• Laurel, B. (Ed.) (2003). Design Research: Methods and Perspective. Cambridge: The MIT Press.
• Maynard, P. (2005). Drawing Distinction: The Varieties of Graphic Expression. New York: Cornell University Press.
• Mitchell, W.J.T (2005). What Do Pictures Want? The Lives and Loves of Images. Chicago & London: The University of Chicago Press.
• Mitchell, W.J.T (1994). Pictures Theory. Chicago & London: The University of Chicago Press.
• Pipes, A. (2003). Foundation of Art and Design. London: Laurence King Publishing Ltd.
• Pirous, A.D. (2003). Melukis itu Menulis. Bandung: Penerbit ITB.
• Poynor, R. (2006). Designing Pornotopia: Travels in Visual Culture. London: Laurence King Publishing Ltd.
• Sachirato, T. & webb, J. (2004). Understanding the Visual. London: Sage Publication, Ltd.
• Sale, T., & Betti, C. (2004). Drawing: A Contemporary Approach (5th ed.). California: Wadsworth/Thomson Learning.
• Tabrani, P. (1998). Massages from the Ancient. Bandung: Penerbit ITB.
• Vergine, L. (1996). Art on the Cutting Edge: A Guide to Contemporary Movements. Milan: Skira Editore S.p.A
• Vernadoe, K. & Gopnik, A. (1990). High and Low: Popular Culture and Modern Art. New York: Museum of Modern Art.
• Wallschlaeger, C., & Busic-Synder, C. (1992). Basic Visual Concepts and Principles for Artist, Architects, and Designers. Massachusetts: McGraw Hill.
• Weintraub, L. (1996). Art on the Edge and Over: Searching for Art’s Meaning in Contemporary Society 1970s – 1990s. Connecticut: Art Insight, Inc.
• Wigan, M. (2006). Basic Illustration: Thinking Visually. Switzerland: AVA Publishing.

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Bagi yang menyenangi proses mencari metode penelitian yang sesuai dengan penelitian seni dan desain, barangkali beberapa buku rujukan ini bisa dipetik manfaatnya.
• Anfara, V.A., Jr., & Mertz, N.T. (2006). Theoretical Frameworks in Qualitative Research. California: Sage Publication Inc.
• Alwasilah, A.C. (2006). Pokoknya Kualitatif: Dasar-dasar Merancang dan Melakukan Penelitian Kualitatif. Jakarta: PT Dunia Pustaka Jaya.
• Bennet, A. (2006). Design Studies: Theory and Research in Graphic Design. New York: Princeton Architectural Press.
• Berelseon, B. (1952). Content Analysis in Communication Research. New York: Hafner Press.
• Berger, A.A. (2000). Media and Communication Research Methods: An Introduction to Qualitative and Quantitative Approaches. California: Sage Publication Ltd.
• Berger, A.A. (2005). Media Analysis Techniques (3rded.). California: Sage Publication Ltd.
• Berger, A.A. (1998). Media Research Techniques (2nd Ed.). California: Sage Publication Ltd.
• Berg, B.L. (2004). Qualitative Research Methods: for the Social Science (5th ed.). Boston: Allyn and Bacon.
• Budd, R.W., Thorp, R.K., & Donohew, L. (1967). Content Analysis of Communication. New York: Macmillan Company.
• Burgin, B. (ed.) (2004). Metode Penelitian Kualitatif. Jakarta: PT RajaGrafindo Persada.
• Burgin, B. (2004). Analisis Data Penelitian Kualitatif: Pemahaman Filosofis dan Metodologis ke Arah Penguasaan Model Aplikasi. Jakarta: RajaGrafindo Persada.
• Cavana, R.Y., Delahaye, B.L, & Sekaran, U. (2001). Applied Business Research: Qualitative and Quantitative Methods. Queensland: John Wiley & Sons Australia, Ltd.
• Creswell, J.W. (2003). Research Design: Qualitative, Quantitative and Mixed Methods Approaches (2nd ed.). California: Sage Publication Ltd.
• Denzin, N.K. & Lincoln, Y.S. (2003). Collecting and Interpreting Qualitative Materials. California: Sage Publication Ltd.
• Elliot, J. (2005). Using Narrative in Social Research: Qualitative and Quantitative Approaches. London: Sage Publications Ltd.
• Emmison, M. & Smith P. (2000). Researching the Visual: Introducing Qualitative Research. London: Sage Publications Ltd.
• Endraswara, S. (2006). Metode, Teori, Teknik Penelitian Kebudayaan: Ideologi, Epistemologi dan Aplikasi. Sleman: Penerbit Pustaka Widyatama.
• Gray, C., & Malins, J. (2004). Visualizing Research: A Guide To The Research Process In Art And Design. Hants: Ashgate Publishing Ltd.
• Hesse-Biber, S.N., & Leavy, P. (2006). The Practice of Qualitative Research. California: Sage Publication Inc.
• Hesser-Biber, S.N. & Leavy, P. (Eds.) (2004). Approaches to Qualitative Research: A Reader on Theory and Practice. New York: Oxford University Press.
• Jorgensen, D.L. (1989). Participant Observation: A Methodology for Human Studies. California: Sage Publication Ltd.
• Krippendorff, K. (1980). Content Analysis: An Introduction to Its Methodology. California: Sage Publication.
• Lieblich, A., Tuval-Mashiach, R. & Zilber, T. (1998). Narrative Research: Reading, Analysis, and Interpretation. California: Sage Publication Ltd.
• Mason, J. (2002). Qualitative Researching (2nd ed.) London: Sage Publication Ltd.
• Maxwell, J.A. (2005). Qualitative Research Design: An Interactive Approach (2nded.). California: Sage Publication Ltd.
• Miles, M.B. & Huberman, A.M. (1992). Analisis Data Kualitatif. (Trans. Rohidi, T. R.). Jakarta: Penerbit Universitas Indonesia.
• Neuman, W.L. (2003). Social Research Methods: Qualitative and Quantitative Approaches (5th ed.). Boston: Allyn and Bacon.
• Nobel, I., & Bestley, R. (2005). Visual Research: An Introduction to Research Methodologies in Graphic Design. Switzertland: AVA Publishing.
• Orr, M. (2003). Intertextuality: Debates and Context. Cambridge: Polity Press.
• Richards, L. (2005). Handling Qualitative Data: A Practical Guide. London: Sage Publication Ltd.
• Richardson, S. (2005). How to Research: A Guide for Undergraduate and Graduate Students. Singapore: Thomson Learning.
• Rose, G. (2001). Visual Methodologies. London: Sage Publications Ltd.
• Seale, C. (2004). Researching Society and Culture (2nded.). California: Sage Publication Ltd.
• Silverman, D. (2004). Qualitative Research: Theory, Method and Practice. California: Sage Publication Ltd.
• Sugiyono (2005). Memahami Penelitian Kualitatif. Bandung: Alfabeta.
• Sullivan, G. (2005). Art Practice as Research: Inquiry in the Visual Arts. Thousand Oaks: Sage Publications Ltd.
• Tashakkori, A. & Teddlie, C. (1998). Mixed Methodology: Combining Qualitative and Quantitative Approaches. California: Sage Publications Ltd.
• Thomas, M.R. (2003). Blending Qualitative and Quantitative: Research Methods in Theses and Dissertations. California: Corwin Press, Inc.
• Van Leeuwen, T., & Jewitt, C. (2001). Handbook of Visual Analysis. London: Sage Publications Ltd.

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Supaya bisa lebih bermanfaat dan juga tidak hilang-hilang, mending saya post-kan referensi buku yang selama ini saya kumpulkan berkaitan dengan studi komik.

Buku-buku literatur komik yang dibaca atau dimiliki sejauh ini:
• Baetens, J. (2001). The Graphic Novel. Leuven: Leuven University Press.
• Beaty, B. (2005). Frederic Wertham and The Critique of Mass Culture. Jackson, Miss.: University Press of Mississippi.
• Bell, R., & Sinclair, M. (2005). Pictures and Words: New Comic Art and Narrative Illustration. London: Laurence King Publishing Ltd.
• Bongco, M. (2000). Reading Comics: Language, Culture, and the Concept of Superhero in Comic Books. New York: Garland Publishing Inc.
• Carlin, J., Karasik, P., & Walker, B. (Eds.) (2006). Masters of American Comics. Los Angeles, CA: Hammer Museum and The Museum of Contemporary Art. New Haven and London: Yale University Press.
• Carrier, D. (2000). The Aesthetic of Comics. Pennsylvania: The Pennsylvania State University Press.
• Cohn, N. (2003). Early Writings on Visual Language. California: Emaki Production.
• Coogan, P. (2006). Superhero: The Secret Origin of a Genre. Texas: MonkeyBrain Books Publication.
• Dooley, M., & Heller, S. (2005). The Education of a Comic Artist. New York: Allworth Press.
• Eisner, W. (1996). Graphic Storytelling and Visual Narrative. Florida: Poorhouse Press.
• ________. (1985). Comics and Sequential Art. Florida: Poorhouse Press.
• Forsdick, C., Grove, L., & McQuillan, L. (Eds.) (2005). The Francophone Bande Dessinée. New York – Amsterdam: Rodopi B.V.
• Gravett, P. (2005). Graphic Novel: Stories to Change Your Life. London: Aurum Press Ltd.
• ________. (2004). Manga: Sixty Years of Japanese Comics. London: Laurence King Publishing Ltd.
• Groensteen, T. (1999). Système de la bande dessinée. Paris: University Presses of France.
• Harvey, R.C. (1996). The Art of Comic Book: An Aesthetic History. Jackson, Miss.: University Press of Mississippi.
• Hatfield, C. (2005). Alternative Comics: An Emerging Literature. Jackson, Miss.: University Press of Mississippi.
• Haugen, D.M. (ed.) (2005). Comic books: Examining Pop Culture. Michigan: Greenhaven Press.
• Heer, J., & Worcester, K. (2004). Arguing Comics: Literary Masters on a Popular Medium. Jackson, Miss.: University Press of Mississippi.
• Hogben, L. (1949). From Cave Painting to the Comic Strip: A Kaleidoscope of Human Communication. New York: Chanticleer Press Inc.
• Horn, M. (Ed.) (1999). The World Encyclopedia of Comics. Broomall, PA: Chelsea House Publishers.
• Inge, M.T. (1990). Comics as Culture. Jackson, Miss.: University Press of Mississippi.
• Janson, K. (2003). The DC Comics Guide to Inking Comics. New York: Watson-Guptill Publications.
• ________. (2002). The DC Comics Guide to Pencilling Comics. New York: Watson-Guptill Publications.
• Klein, T., & Chiarello, M. (2004). The DC Comics Guide to Coloring and Lettering Comics. New York: Watson-Guptill Publications.
• Lehmann, T.R. (2005). Manga: Masters of the Art. New York: Collins Design.
• Magnussen, A., & Christiansen, H. (2000). Comics and Culture: Analytical and Theoretical Approaches to Comics. Copenhagen: Museum Tusculanum Press.
• Mahamood, M. (2004). The History of Malay Editorial Cartoon (1930s-1993). Kuala Lumpur: Utusan Publications & Distributors Sdn. Bhd.
• __________. (1999). Kartun dan Kartunis. Kuala Lumpur: Univision Press Sdn. Bhd.
• __________. (1999). Pengatar Seni kartun. Kuala Lumpur: Univision Press Sdn. Bhd.
• McAllister, M.P., Sewel, E.H., Jr., & Gordon, I. (2006). Comics and Ideology. New York: Peter Lang Publishing, Inc.
• McCloud, S. (1993). Understanding Comics: The Invisible Art. Massachusetts: Kitchen Sink Press.
• ________. (2000). Reinventing Comics. New York: Paradox Press.
• ________. (2006). Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels. New York: HarperCollins Publisher.
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Sekedar sharing referensi studi komik_02

Supaya bisa lebih bermanfaat dan juga tidak hilang-hilang, mending saya post-kan referensi internet yang selama ini saya kumpulkan berkaitan dengan studi komik.
Yang dari internet:
• http://groups.yahoo.com/group/a_comicbook_reflections/links
• http://madinkbeard.com
• Alex Singer (2007). The most important thing is the comics - What's Next? - cultural expression - Brief Article. Whole Earth. Spring 2002. FindArticles.com. 09 Feb. Retrieved from: http://www.findarticles.com/p/articles/mi_m0GER/ is_2002_Spring/ai_84866427
• Ault, Donald (2004). "Imagetextuality: "Cutting Up" Again, pt. III." ImageTexT: Interdisciplinary Comics Studies. 1.1. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_1/ault/index.shtml
• Barber, J. (2002). The Phenomenon of Multiple Dialectics in Comics Layout. Master Thesis. Typo/Graphic Studies, London College of Printing. Retrieved from: http://www.johnbarbercomics.com/layout.htm
• Boyask, Ruth (2000). Reading Community in Funtime Comics: A New Zealand Narrative. International Journal of Comic Art, Vol 2, No.2, Fall 2000. Retrieved from: http://funtime.comics.org.nz/ruthsarticle.html
• Broglio, Ron. "William Blake and the Novel Space of Revolution." ImageTexT: Interdisciplinary Comics Studies. 3.2 (2007). Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v3_2/ broglio/
• Chung, P. (1998). The State of Visual Narrative in Film and Comics. Animation World Magazine. Issue 3.4 July. Retrieve from: http://www.awn.com/mag/issue3.4/3.4pages/ 3.4chung.html
• Comics Art and Comics. Retrieved from: http://www.comicsresearch.org/CAC/index.html
• Duncan, R. (2000). Toward a Theory of Comic Book Communication. Academic Forum Online 1999-2000/Number 17. Handerson State University. Retrieved from: http://www.hsu.edu/default.aspx?id=3508
• Fenty, Sean, Trena Houp and Laurie Taylor (2004). "Webcomics: The Influence and Continuation of the Comix Revolution." ImageTexT: Interdisciplinary Comics Studies. 1.2. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_2/group/index.shtml.com
• Heer, J. and Worcester, K. (2005). Intellectual Marijuana: Comics and their Critics. Toronto Star Ideas. Retrieved March 27, 2005 from: http://www.jeetheer.com/comics/intellectualmarijuana.htm
• Henricks, Mark (2006). Cartooning Draws Expressive Individuals. Startup Journal. Dow Jones & Company, Inc. Retrieved from: http://startup.wsj.com/columnists/startuplifestyle/20060815-lifestyle.html
• Image [&] Narrative. Online Magazine of the Visual Narrative. Retrieved from: http://www.imageandnarrative.be/
• ImageText: Interdisciplinary Comics Studies. Online Web Journal. English Department, University of Florida . Retrieved from: http://www.english.ufl.edu/imagetext/
• Julian Darius (2003). The Sequart Manifesto. Sequential Culture #19. Retrieved from: http://www.sequart.com/columns/?col=2&column=245
• Leslie, Esther. Blake's Lines: Seven Digressions Through Time and Space. ImageTexT: Interdisciplinary Comics Studies. 3.2 (2007). Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v3_2/leslie/
• McCabe, D. (2007). Just Don’t Called It Mickey Mouse. Universities Affairs: Canada’s Magazine on Higher Education, March. The Association of Universities and Colleges of Canada. Retrieved from: http://www.universityaffairs.ca/issues/2007/march_build _0207/mickey_mouse_01.html
• Meskin, A. (2006). A Note on Defining (Not Defining) Comics. Retrieved 10 February 2007 from:
• Paddison, Joshua (2004). "Review of Comic Strips and Consumer Culture by Ian Gordon." ImageTexT: Interdisciplinary Comics Studies. 1.2. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_2/reviews/paddison.shtml
• Panofsky, E.
• Spring, T. (1995). Comic Strip A Reflection Of Society, New Field Of Research. Retrieved from: http://www.osu.edu/osu/newsrel/Archive/95-01-03_Comics_ Reflect_Society
• The Comics Journal. Online Essay. Retrieved from: http://www.tcj.com/
• Toku, M. (2004). The Power of Girl’s Comics: The Value and Contribution to Visual Culture and Society. Paper presented at forum of Visual Culture of Childhood: Child Art after Modernism, Pennsylvania State University. Retrieved from: http://www.csuchio.edu/~mtoku/vc/Articles/toku/Power_Girls_Comics.html
• Vaswani, K. (2003). Theorizing the Gaze in Comics: Focaliztion, Juxtaposition, and Voice in Diane DiMassa’s Hothead Paisan. Retrieved from 10 February 2007 from: www.courses.rochester.edu/vaswani/hal.doc
• Wivel, M. (2007). Comic Transformations – Topffer and the Reinvention of Comics in the First Half of the 19th Century. Retrieved from http://www.metabunkerdk./?p=768
• Wolańska, A. (2002). The birth, evolution and function of comics. M. Sobieszek (Trans.). Contemporary book art - EBIB No.10/2002. Open Society Institute. Retrieved from: http://ebib.oss.wroc.pl/english/grant/wolanska.php