Sekedar sharing referensi studi komik_05

Komik memadukan elemen kesastraan dan elemen seni rupa, tetapi pada saat yang sama dia tidak pula harus tergantung pada salah satu rejim seni itu, justru kata Will Eisner, komik malah lebih meng-atas-kan kedua-duanya sebagai pencapaian intelektual dalam membaca dan memahami komik.
Berikut ini sedikit rujukan dari literatur dan seni visual atau juga desain.
Literatures:
• Bal, M. (1997). Narratology: Introduction to the Theory of Narrative (2nd ed.). Toronto: University of Toronto Press.
• Barthes, R. (1964). Elements of Semiology. New York: Hill & Wang.
• _______ . (1970). Empire of the Signs. New York: Hill & Wang.
• _______ . (1977). Image, Music, Text. New York: Hill & Wang.
• Chandler, D. (2002). Semiotics: The Basics. London: Routledge.
• Chatman, S. (1978). Story and Discourse: Narrative Structure in Fiction and Film. Ithaca & London: Cornell University Press.
• Christin, A. (2001). A History of Writing: From Hieroglyph to Multimedia. Paris: Flammarion.
• Cobley, P. (Ed.) (2001). Semiotics and Linguistics. London & New York: Routledge.
• Cobley, P. & Jansz, L. (2003). Introducing Semiotics. Cambridge: Icon Books Ltd.
• Eco, U. (1976). A Theory of Semiotics. Bloomington: Indiana University Press.
• Frow, J. (2006). Genre. London & New York: Routledge.
• Gottdiener, M., Boklund-Lagopoulou, K., & Ph. Lagopoulos, A. (Eds.) (2003). Semiotics. London: Sage Publications Ltd.
• Kress, G. (2003). Literacy in the New Media Age. London & New York: Routledge.
• Masinambow, E.K.M. & Hidayat, R.S. (2001). Semiotik: Mengkaji Tanda dalam Artifak. Jakarta: Balai Pustaka.
• Nöth, W. (1995). Handbook of Semiotics. Bloomington & Indianapolis: Indiana University Press.
• Ratna, N.K. (2004). Teori, Metode, dan Teknik Penelitian Sastra: Dari Strukturalisme hingga Poststrukturalisme Perspektif Wacana Naratif. Yogyakarta: Pustaka Pelajar.
• Sunardi, ST. (2002). Semiotika Negativa. Yogyakarta: Kanal.
• Teeuw, A. (2003). Sastera dan Ilmu Sastera. Jakarta: PT Dunia Pustaka Jaya.
• Toolan, M.J. (1998). Narrative: A Critical Linguistic Introduction. London & New York: Routledge.
• Van Leeuwen, T. (2005). Introducing Social Semiotics. London & New York: Routledge.
• Van Luxemburg, J., Bal, M. & Weststejn, W. (1991). Tentang Sastra (Trans. Ikram, A.) Jakarta: Intermasa.
• Wolfreys, J. (1999). Literary Theories: A Reader and Guide. Edinburgh: Edinburgh University Press.
• Wijana, I D.P. (2003). Kartun: Studi Tentang Permainan Bahasa. Yogyakarta: Penerbit Ombak.

Visual, Art and Design:
• Archer, M. (2002). Art Since 1960 (New Edition). London: Thames & Hudson Ltd.
• Arnheim, R. (2004). Art and Visual Perception: A Psychology of the Creative eye (The New Version). California: University of California Press.
• Barnard, M. (2005). Graphic Design as Communication. London & New York: Routledge.
• Bonnici, P. (1999). Visual Language: The Hidden Medium of Communication. Switzerland: RotoVision Book.
• Burgin, V. (1986). The End of Art Theory: Criticism and Post-modernity. Hampshire and London: Macmillan Education Ltd.
• Carroll, N. (2001). Beyond Aesthetics: Philosophical Essays. Cambridge: Cambridge University Press.
• Crow, D. (2003). Visible Sign: An Introduction to Semiotics. Switzertland: AVA Publishing.
• Danto, A.C. (2003). The Abuse of Beauty: Aesthetic and the Concept of Art. Illinois: Carrus Publishing.
• Danto, A.C. (1996). The Philosophical Disenfranchisement of Art. New York: Columbia University Press.
• Dondis, A.D. (1973). A Primer of Visual Literacy. Massachusetts: MIT Press.
• Elkins, J. (2003). Visual Studies: A Skeptical Introduction. New York & London: Routledge.
• Ferni, E. (Ed.) (1995). Art History and Its Methods: A Critical Anthology. London & New York: Phaidon Press Ltd.
• Ferrier, J., & Le Pichon, Y. (Eds.) (1999). Art of the 20th Century: The History of Art Year by Year from 1900 to 1999 (Trans. Davidson, L., & Glanze, W.D.). Edition du Chene.
• Gombrich, E.H. (1972). Art and illusion: A study in the psychology of pictorial representation. London: Phaidon Press.
• Harris, J. (2001). The New Art History: A Critical Introduction. London: Routledge.
• Kieran, M., & Lopes, D.M. (Eds.) (2003). Imagination, Philosophy, and the Arts. London: Routledge.
• Kingston, A. (2003). What is Drawing? London: Black Dog Publishing.
• Klaten, R., & Hellige, H. (2005). Illusive: Contemporary Illustrations and Its Context. Berlin: Die Gestalten Verlag GmbH & Co.
• Laurel, B. (Ed.) (2003). Design Research: Methods and Perspective. Cambridge: The MIT Press.
• Maynard, P. (2005). Drawing Distinction: The Varieties of Graphic Expression. New York: Cornell University Press.
• Mitchell, W.J.T (2005). What Do Pictures Want? The Lives and Loves of Images. Chicago & London: The University of Chicago Press.
• Mitchell, W.J.T (1994). Pictures Theory. Chicago & London: The University of Chicago Press.
• Pipes, A. (2003). Foundation of Art and Design. London: Laurence King Publishing Ltd.
• Pirous, A.D. (2003). Melukis itu Menulis. Bandung: Penerbit ITB.
• Poynor, R. (2006). Designing Pornotopia: Travels in Visual Culture. London: Laurence King Publishing Ltd.
• Sachirato, T. & webb, J. (2004). Understanding the Visual. London: Sage Publication, Ltd.
• Sale, T., & Betti, C. (2004). Drawing: A Contemporary Approach (5th ed.). California: Wadsworth/Thomson Learning.
• Tabrani, P. (1998). Massages from the Ancient. Bandung: Penerbit ITB.
• Vergine, L. (1996). Art on the Cutting Edge: A Guide to Contemporary Movements. Milan: Skira Editore S.p.A
• Vernadoe, K. & Gopnik, A. (1990). High and Low: Popular Culture and Modern Art. New York: Museum of Modern Art.
• Wallschlaeger, C., & Busic-Synder, C. (1992). Basic Visual Concepts and Principles for Artist, Architects, and Designers. Massachusetts: McGraw Hill.
• Weintraub, L. (1996). Art on the Edge and Over: Searching for Art’s Meaning in Contemporary Society 1970s – 1990s. Connecticut: Art Insight, Inc.
• Wigan, M. (2006). Basic Illustration: Thinking Visually. Switzerland: AVA Publishing.