Wednesday, December 05, 2007

Sekedar sharing referensi studi komik_02

Supaya bisa lebih bermanfaat dan juga tidak hilang-hilang, mending saya post-kan referensi internet yang selama ini saya kumpulkan berkaitan dengan studi komik.
Yang dari internet:
• http://groups.yahoo.com/group/a_comicbook_reflections/links
• http://madinkbeard.com
• Alex Singer (2007). The most important thing is the comics - What's Next? - cultural expression - Brief Article. Whole Earth. Spring 2002. FindArticles.com. 09 Feb. Retrieved from: http://www.findarticles.com/p/articles/mi_m0GER/ is_2002_Spring/ai_84866427
• Ault, Donald (2004). "Imagetextuality: "Cutting Up" Again, pt. III." ImageTexT: Interdisciplinary Comics Studies. 1.1. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_1/ault/index.shtml
• Barber, J. (2002). The Phenomenon of Multiple Dialectics in Comics Layout. Master Thesis. Typo/Graphic Studies, London College of Printing. Retrieved from: http://www.johnbarbercomics.com/layout.htm
• Boyask, Ruth (2000). Reading Community in Funtime Comics: A New Zealand Narrative. International Journal of Comic Art, Vol 2, No.2, Fall 2000. Retrieved from: http://funtime.comics.org.nz/ruthsarticle.html
• Broglio, Ron. "William Blake and the Novel Space of Revolution." ImageTexT: Interdisciplinary Comics Studies. 3.2 (2007). Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v3_2/ broglio/
• Chung, P. (1998). The State of Visual Narrative in Film and Comics. Animation World Magazine. Issue 3.4 July. Retrieve from: http://www.awn.com/mag/issue3.4/3.4pages/ 3.4chung.html
• Comics Art and Comics. Retrieved from: http://www.comicsresearch.org/CAC/index.html
• Duncan, R. (2000). Toward a Theory of Comic Book Communication. Academic Forum Online 1999-2000/Number 17. Handerson State University. Retrieved from: http://www.hsu.edu/default.aspx?id=3508
• Fenty, Sean, Trena Houp and Laurie Taylor (2004). "Webcomics: The Influence and Continuation of the Comix Revolution." ImageTexT: Interdisciplinary Comics Studies. 1.2. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_2/group/index.shtml.com
• Heer, J. and Worcester, K. (2005). Intellectual Marijuana: Comics and their Critics. Toronto Star Ideas. Retrieved March 27, 2005 from: http://www.jeetheer.com/comics/intellectualmarijuana.htm
• Henricks, Mark (2006). Cartooning Draws Expressive Individuals. Startup Journal. Dow Jones & Company, Inc. Retrieved from: http://startup.wsj.com/columnists/startuplifestyle/20060815-lifestyle.html
• Image [&] Narrative. Online Magazine of the Visual Narrative. Retrieved from: http://www.imageandnarrative.be/
• ImageText: Interdisciplinary Comics Studies. Online Web Journal. English Department, University of Florida . Retrieved from: http://www.english.ufl.edu/imagetext/
• Julian Darius (2003). The Sequart Manifesto. Sequential Culture #19. Retrieved from: http://www.sequart.com/columns/?col=2&column=245
• Leslie, Esther. Blake's Lines: Seven Digressions Through Time and Space. ImageTexT: Interdisciplinary Comics Studies. 3.2 (2007). Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v3_2/leslie/
• McCabe, D. (2007). Just Don’t Called It Mickey Mouse. Universities Affairs: Canada’s Magazine on Higher Education, March. The Association of Universities and Colleges of Canada. Retrieved from: http://www.universityaffairs.ca/issues/2007/march_build _0207/mickey_mouse_01.html
• Meskin, A. (2006). A Note on Defining (Not Defining) Comics. Retrieved 10 February 2007 from:
• Paddison, Joshua (2004). "Review of Comic Strips and Consumer Culture by Ian Gordon." ImageTexT: Interdisciplinary Comics Studies. 1.2. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_2/reviews/paddison.shtml
• Panofsky, E.
• Spring, T. (1995). Comic Strip A Reflection Of Society, New Field Of Research. Retrieved from: http://www.osu.edu/osu/newsrel/Archive/95-01-03_Comics_ Reflect_Society
• The Comics Journal. Online Essay. Retrieved from: http://www.tcj.com/
• Toku, M. (2004). The Power of Girl’s Comics: The Value and Contribution to Visual Culture and Society. Paper presented at forum of Visual Culture of Childhood: Child Art after Modernism, Pennsylvania State University. Retrieved from: http://www.csuchio.edu/~mtoku/vc/Articles/toku/Power_Girls_Comics.html
• Vaswani, K. (2003). Theorizing the Gaze in Comics: Focaliztion, Juxtaposition, and Voice in Diane DiMassa’s Hothead Paisan. Retrieved from 10 February 2007 from: www.courses.rochester.edu/vaswani/hal.doc
• Wivel, M. (2007). Comic Transformations – Topffer and the Reinvention of Comics in the First Half of the 19th Century. Retrieved from http://www.metabunkerdk./?p=768
• WolaƄska, A. (2002). The birth, evolution and function of comics. M. Sobieszek (Trans.). Contemporary book art - EBIB No.10/2002. Open Society Institute. Retrieved from: http://ebib.oss.wroc.pl/english/grant/wolanska.php

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