Wednesday, December 05, 2007
Sekedar sharing referensi studi komik_00
Oya, kalau ada referensi atau rujukan di internet, buku atau apa saja, harap tidak keberatan untuk memberitahukan, siapa tau kelak referensi spt ini bisa dipakai bersama-sama dalam mengembangkan studi komik di nusantara tercinta ini. amin.
Sekedar sharing referensi studi komik_05
Komik memadukan elemen kesastraan dan elemen seni rupa, tetapi pada saat yang sama dia tidak pula harus tergantung pada salah satu rejim seni itu, justru kata Will Eisner, komik malah lebih meng-atas-kan kedua-duanya sebagai pencapaian intelektual dalam membaca dan memahami komik.
Berikut ini sedikit rujukan dari literatur dan seni visual atau juga desain.
Literatures:
• Bal, M. (1997). Narratology: Introduction to the Theory of Narrative (2nd ed.). Toronto: University of Toronto Press.
• Barthes, R. (1964). Elements of Semiology. New York: Hill & Wang.
• _______ . (1970). Empire of the Signs. New York: Hill & Wang.
• _______ . (1977). Image, Music, Text. New York: Hill & Wang.
• Chandler, D. (2002). Semiotics: The Basics. London: Routledge.
• Chatman, S. (1978). Story and Discourse: Narrative Structure in Fiction and Film. Ithaca & London: Cornell University Press.
• Christin, A. (2001). A History of Writing: From Hieroglyph to Multimedia. Paris: Flammarion.
• Cobley, P. (Ed.) (2001). Semiotics and Linguistics. London & New York: Routledge.
• Cobley, P. & Jansz, L. (2003). Introducing Semiotics. Cambridge: Icon Books Ltd.
• Eco, U. (1976). A Theory of Semiotics. Bloomington: Indiana University Press.
• Frow, J. (2006). Genre. London & New York: Routledge.
• Gottdiener, M., Boklund-Lagopoulou, K., & Ph. Lagopoulos, A. (Eds.) (2003). Semiotics. London: Sage Publications Ltd.
• Kress, G. (2003). Literacy in the New Media Age. London & New York: Routledge.
• Masinambow, E.K.M. & Hidayat, R.S. (2001). Semiotik: Mengkaji Tanda dalam Artifak. Jakarta: Balai Pustaka.
• Nöth, W. (1995). Handbook of Semiotics. Bloomington & Indianapolis: Indiana University Press.
• Ratna, N.K. (2004). Teori, Metode, dan Teknik Penelitian Sastra: Dari Strukturalisme hingga Poststrukturalisme Perspektif Wacana Naratif. Yogyakarta: Pustaka Pelajar.
• Sunardi, ST. (2002). Semiotika Negativa. Yogyakarta: Kanal.
• Teeuw, A. (2003). Sastera dan Ilmu Sastera. Jakarta: PT Dunia Pustaka Jaya.
• Toolan, M.J. (1998). Narrative: A Critical Linguistic Introduction. London & New York: Routledge.
• Van Leeuwen, T. (2005). Introducing Social Semiotics. London & New York: Routledge.
• Van Luxemburg, J., Bal, M. & Weststejn, W. (1991). Tentang Sastra (Trans. Ikram, A.) Jakarta: Intermasa.
• Wolfreys, J. (1999). Literary Theories: A Reader and Guide. Edinburgh: Edinburgh University Press.
• Wijana, I D.P. (2003). Kartun: Studi Tentang Permainan Bahasa. Yogyakarta: Penerbit Ombak.
Visual, Art and Design:
• Archer, M. (2002). Art Since 1960 (New Edition). London: Thames & Hudson Ltd.
• Arnheim, R. (2004). Art and Visual Perception: A Psychology of the Creative eye (The New Version). California: University of California Press.
• Barnard, M. (2005). Graphic Design as Communication. London & New York: Routledge.
• Bonnici, P. (1999). Visual Language: The Hidden Medium of Communication. Switzerland: RotoVision Book.
• Burgin, V. (1986). The End of Art Theory: Criticism and Post-modernity. Hampshire and London: Macmillan Education Ltd.
• Carroll, N. (2001). Beyond Aesthetics: Philosophical Essays. Cambridge: Cambridge University Press.
• Crow, D. (2003). Visible Sign: An Introduction to Semiotics. Switzertland: AVA Publishing.
• Danto, A.C. (2003). The Abuse of Beauty: Aesthetic and the Concept of Art. Illinois: Carrus Publishing.
• Danto, A.C. (1996). The Philosophical Disenfranchisement of Art. New York: Columbia University Press.
• Dondis, A.D. (1973). A Primer of Visual Literacy. Massachusetts: MIT Press.
• Elkins, J. (2003). Visual Studies: A Skeptical Introduction. New York & London: Routledge.
• Ferni, E. (Ed.) (1995). Art History and Its Methods: A Critical Anthology. London & New York: Phaidon Press Ltd.
• Ferrier, J., & Le Pichon, Y. (Eds.) (1999). Art of the 20th Century: The History of Art Year by Year from 1900 to 1999 (Trans. Davidson, L., & Glanze, W.D.). Edition du Chene.
• Gombrich, E.H. (1972). Art and illusion: A study in the psychology of pictorial representation. London: Phaidon Press.
• Harris, J. (2001). The New Art History: A Critical Introduction. London: Routledge.
• Kieran, M., & Lopes, D.M. (Eds.) (2003). Imagination, Philosophy, and the Arts. London: Routledge.
• Kingston, A. (2003). What is Drawing? London: Black Dog Publishing.
• Klaten, R., & Hellige, H. (2005). Illusive: Contemporary Illustrations and Its Context. Berlin: Die Gestalten Verlag GmbH & Co.
• Laurel, B. (Ed.) (2003). Design Research: Methods and Perspective. Cambridge: The MIT Press.
• Maynard, P. (2005). Drawing Distinction: The Varieties of Graphic Expression. New York: Cornell University Press.
• Mitchell, W.J.T (2005). What Do Pictures Want? The Lives and Loves of Images. Chicago & London: The University of Chicago Press.
• Mitchell, W.J.T (1994). Pictures Theory. Chicago & London: The University of Chicago Press.
• Pipes, A. (2003). Foundation of Art and Design. London: Laurence King Publishing Ltd.
• Pirous, A.D. (2003). Melukis itu Menulis. Bandung: Penerbit ITB.
• Poynor, R. (2006). Designing Pornotopia: Travels in Visual Culture. London: Laurence King Publishing Ltd.
• Sachirato, T. & webb, J. (2004). Understanding the Visual. London: Sage Publication, Ltd.
• Sale, T., & Betti, C. (2004). Drawing: A Contemporary Approach (5th ed.). California: Wadsworth/Thomson Learning.
• Tabrani, P. (1998). Massages from the Ancient. Bandung: Penerbit ITB.
• Vergine, L. (1996). Art on the Cutting Edge: A Guide to Contemporary Movements. Milan: Skira Editore S.p.A
• Vernadoe, K. & Gopnik, A. (1990). High and Low: Popular Culture and Modern Art. New York: Museum of Modern Art.
• Wallschlaeger, C., & Busic-Synder, C. (1992). Basic Visual Concepts and Principles for Artist, Architects, and Designers. Massachusetts: McGraw Hill.
• Weintraub, L. (1996). Art on the Edge and Over: Searching for Art’s Meaning in Contemporary Society 1970s – 1990s. Connecticut: Art Insight, Inc.
• Wigan, M. (2006). Basic Illustration: Thinking Visually. Switzerland: AVA Publishing.
Berikut ini sedikit rujukan dari literatur dan seni visual atau juga desain.
Literatures:
• Bal, M. (1997). Narratology: Introduction to the Theory of Narrative (2nd ed.). Toronto: University of Toronto Press.
• Barthes, R. (1964). Elements of Semiology. New York: Hill & Wang.
• _______ . (1970). Empire of the Signs. New York: Hill & Wang.
• _______ . (1977). Image, Music, Text. New York: Hill & Wang.
• Chandler, D. (2002). Semiotics: The Basics. London: Routledge.
• Chatman, S. (1978). Story and Discourse: Narrative Structure in Fiction and Film. Ithaca & London: Cornell University Press.
• Christin, A. (2001). A History of Writing: From Hieroglyph to Multimedia. Paris: Flammarion.
• Cobley, P. (Ed.) (2001). Semiotics and Linguistics. London & New York: Routledge.
• Cobley, P. & Jansz, L. (2003). Introducing Semiotics. Cambridge: Icon Books Ltd.
• Eco, U. (1976). A Theory of Semiotics. Bloomington: Indiana University Press.
• Frow, J. (2006). Genre. London & New York: Routledge.
• Gottdiener, M., Boklund-Lagopoulou, K., & Ph. Lagopoulos, A. (Eds.) (2003). Semiotics. London: Sage Publications Ltd.
• Kress, G. (2003). Literacy in the New Media Age. London & New York: Routledge.
• Masinambow, E.K.M. & Hidayat, R.S. (2001). Semiotik: Mengkaji Tanda dalam Artifak. Jakarta: Balai Pustaka.
• Nöth, W. (1995). Handbook of Semiotics. Bloomington & Indianapolis: Indiana University Press.
• Ratna, N.K. (2004). Teori, Metode, dan Teknik Penelitian Sastra: Dari Strukturalisme hingga Poststrukturalisme Perspektif Wacana Naratif. Yogyakarta: Pustaka Pelajar.
• Sunardi, ST. (2002). Semiotika Negativa. Yogyakarta: Kanal.
• Teeuw, A. (2003). Sastera dan Ilmu Sastera. Jakarta: PT Dunia Pustaka Jaya.
• Toolan, M.J. (1998). Narrative: A Critical Linguistic Introduction. London & New York: Routledge.
• Van Leeuwen, T. (2005). Introducing Social Semiotics. London & New York: Routledge.
• Van Luxemburg, J., Bal, M. & Weststejn, W. (1991). Tentang Sastra (Trans. Ikram, A.) Jakarta: Intermasa.
• Wolfreys, J. (1999). Literary Theories: A Reader and Guide. Edinburgh: Edinburgh University Press.
• Wijana, I D.P. (2003). Kartun: Studi Tentang Permainan Bahasa. Yogyakarta: Penerbit Ombak.
Visual, Art and Design:
• Archer, M. (2002). Art Since 1960 (New Edition). London: Thames & Hudson Ltd.
• Arnheim, R. (2004). Art and Visual Perception: A Psychology of the Creative eye (The New Version). California: University of California Press.
• Barnard, M. (2005). Graphic Design as Communication. London & New York: Routledge.
• Bonnici, P. (1999). Visual Language: The Hidden Medium of Communication. Switzerland: RotoVision Book.
• Burgin, V. (1986). The End of Art Theory: Criticism and Post-modernity. Hampshire and London: Macmillan Education Ltd.
• Carroll, N. (2001). Beyond Aesthetics: Philosophical Essays. Cambridge: Cambridge University Press.
• Crow, D. (2003). Visible Sign: An Introduction to Semiotics. Switzertland: AVA Publishing.
• Danto, A.C. (2003). The Abuse of Beauty: Aesthetic and the Concept of Art. Illinois: Carrus Publishing.
• Danto, A.C. (1996). The Philosophical Disenfranchisement of Art. New York: Columbia University Press.
• Dondis, A.D. (1973). A Primer of Visual Literacy. Massachusetts: MIT Press.
• Elkins, J. (2003). Visual Studies: A Skeptical Introduction. New York & London: Routledge.
• Ferni, E. (Ed.) (1995). Art History and Its Methods: A Critical Anthology. London & New York: Phaidon Press Ltd.
• Ferrier, J., & Le Pichon, Y. (Eds.) (1999). Art of the 20th Century: The History of Art Year by Year from 1900 to 1999 (Trans. Davidson, L., & Glanze, W.D.). Edition du Chene.
• Gombrich, E.H. (1972). Art and illusion: A study in the psychology of pictorial representation. London: Phaidon Press.
• Harris, J. (2001). The New Art History: A Critical Introduction. London: Routledge.
• Kieran, M., & Lopes, D.M. (Eds.) (2003). Imagination, Philosophy, and the Arts. London: Routledge.
• Kingston, A. (2003). What is Drawing? London: Black Dog Publishing.
• Klaten, R., & Hellige, H. (2005). Illusive: Contemporary Illustrations and Its Context. Berlin: Die Gestalten Verlag GmbH & Co.
• Laurel, B. (Ed.) (2003). Design Research: Methods and Perspective. Cambridge: The MIT Press.
• Maynard, P. (2005). Drawing Distinction: The Varieties of Graphic Expression. New York: Cornell University Press.
• Mitchell, W.J.T (2005). What Do Pictures Want? The Lives and Loves of Images. Chicago & London: The University of Chicago Press.
• Mitchell, W.J.T (1994). Pictures Theory. Chicago & London: The University of Chicago Press.
• Pipes, A. (2003). Foundation of Art and Design. London: Laurence King Publishing Ltd.
• Pirous, A.D. (2003). Melukis itu Menulis. Bandung: Penerbit ITB.
• Poynor, R. (2006). Designing Pornotopia: Travels in Visual Culture. London: Laurence King Publishing Ltd.
• Sachirato, T. & webb, J. (2004). Understanding the Visual. London: Sage Publication, Ltd.
• Sale, T., & Betti, C. (2004). Drawing: A Contemporary Approach (5th ed.). California: Wadsworth/Thomson Learning.
• Tabrani, P. (1998). Massages from the Ancient. Bandung: Penerbit ITB.
• Vergine, L. (1996). Art on the Cutting Edge: A Guide to Contemporary Movements. Milan: Skira Editore S.p.A
• Vernadoe, K. & Gopnik, A. (1990). High and Low: Popular Culture and Modern Art. New York: Museum of Modern Art.
• Wallschlaeger, C., & Busic-Synder, C. (1992). Basic Visual Concepts and Principles for Artist, Architects, and Designers. Massachusetts: McGraw Hill.
• Weintraub, L. (1996). Art on the Edge and Over: Searching for Art’s Meaning in Contemporary Society 1970s – 1990s. Connecticut: Art Insight, Inc.
• Wigan, M. (2006). Basic Illustration: Thinking Visually. Switzerland: AVA Publishing.
Sekedar sharing referensi studi komik_04
Bagi yang menyenangi proses mencari metode penelitian yang sesuai dengan penelitian seni dan desain, barangkali beberapa buku rujukan ini bisa dipetik manfaatnya.
• Anfara, V.A., Jr., & Mertz, N.T. (2006). Theoretical Frameworks in Qualitative Research. California: Sage Publication Inc.
• Alwasilah, A.C. (2006). Pokoknya Kualitatif: Dasar-dasar Merancang dan Melakukan Penelitian Kualitatif. Jakarta: PT Dunia Pustaka Jaya.
• Bennet, A. (2006). Design Studies: Theory and Research in Graphic Design. New York: Princeton Architectural Press.
• Berelseon, B. (1952). Content Analysis in Communication Research. New York: Hafner Press.
• Berger, A.A. (2000). Media and Communication Research Methods: An Introduction to Qualitative and Quantitative Approaches. California: Sage Publication Ltd.
• Berger, A.A. (2005). Media Analysis Techniques (3rded.). California: Sage Publication Ltd.
• Berger, A.A. (1998). Media Research Techniques (2nd Ed.). California: Sage Publication Ltd.
• Berg, B.L. (2004). Qualitative Research Methods: for the Social Science (5th ed.). Boston: Allyn and Bacon.
• Budd, R.W., Thorp, R.K., & Donohew, L. (1967). Content Analysis of Communication. New York: Macmillan Company.
• Burgin, B. (ed.) (2004). Metode Penelitian Kualitatif. Jakarta: PT RajaGrafindo Persada.
• Burgin, B. (2004). Analisis Data Penelitian Kualitatif: Pemahaman Filosofis dan Metodologis ke Arah Penguasaan Model Aplikasi. Jakarta: RajaGrafindo Persada.
• Cavana, R.Y., Delahaye, B.L, & Sekaran, U. (2001). Applied Business Research: Qualitative and Quantitative Methods. Queensland: John Wiley & Sons Australia, Ltd.
• Creswell, J.W. (2003). Research Design: Qualitative, Quantitative and Mixed Methods Approaches (2nd ed.). California: Sage Publication Ltd.
• Denzin, N.K. & Lincoln, Y.S. (2003). Collecting and Interpreting Qualitative Materials. California: Sage Publication Ltd.
• Elliot, J. (2005). Using Narrative in Social Research: Qualitative and Quantitative Approaches. London: Sage Publications Ltd.
• Emmison, M. & Smith P. (2000). Researching the Visual: Introducing Qualitative Research. London: Sage Publications Ltd.
• Endraswara, S. (2006). Metode, Teori, Teknik Penelitian Kebudayaan: Ideologi, Epistemologi dan Aplikasi. Sleman: Penerbit Pustaka Widyatama.
• Gray, C., & Malins, J. (2004). Visualizing Research: A Guide To The Research Process In Art And Design. Hants: Ashgate Publishing Ltd.
• Hesse-Biber, S.N., & Leavy, P. (2006). The Practice of Qualitative Research. California: Sage Publication Inc.
• Hesser-Biber, S.N. & Leavy, P. (Eds.) (2004). Approaches to Qualitative Research: A Reader on Theory and Practice. New York: Oxford University Press.
• Jorgensen, D.L. (1989). Participant Observation: A Methodology for Human Studies. California: Sage Publication Ltd.
• Krippendorff, K. (1980). Content Analysis: An Introduction to Its Methodology. California: Sage Publication.
• Lieblich, A., Tuval-Mashiach, R. & Zilber, T. (1998). Narrative Research: Reading, Analysis, and Interpretation. California: Sage Publication Ltd.
• Mason, J. (2002). Qualitative Researching (2nd ed.) London: Sage Publication Ltd.
• Maxwell, J.A. (2005). Qualitative Research Design: An Interactive Approach (2nded.). California: Sage Publication Ltd.
• Miles, M.B. & Huberman, A.M. (1992). Analisis Data Kualitatif. (Trans. Rohidi, T. R.). Jakarta: Penerbit Universitas Indonesia.
• Neuman, W.L. (2003). Social Research Methods: Qualitative and Quantitative Approaches (5th ed.). Boston: Allyn and Bacon.
• Nobel, I., & Bestley, R. (2005). Visual Research: An Introduction to Research Methodologies in Graphic Design. Switzertland: AVA Publishing.
• Orr, M. (2003). Intertextuality: Debates and Context. Cambridge: Polity Press.
• Richards, L. (2005). Handling Qualitative Data: A Practical Guide. London: Sage Publication Ltd.
• Richardson, S. (2005). How to Research: A Guide for Undergraduate and Graduate Students. Singapore: Thomson Learning.
• Rose, G. (2001). Visual Methodologies. London: Sage Publications Ltd.
• Seale, C. (2004). Researching Society and Culture (2nded.). California: Sage Publication Ltd.
• Silverman, D. (2004). Qualitative Research: Theory, Method and Practice. California: Sage Publication Ltd.
• Sugiyono (2005). Memahami Penelitian Kualitatif. Bandung: Alfabeta.
• Sullivan, G. (2005). Art Practice as Research: Inquiry in the Visual Arts. Thousand Oaks: Sage Publications Ltd.
• Tashakkori, A. & Teddlie, C. (1998). Mixed Methodology: Combining Qualitative and Quantitative Approaches. California: Sage Publications Ltd.
• Thomas, M.R. (2003). Blending Qualitative and Quantitative: Research Methods in Theses and Dissertations. California: Corwin Press, Inc.
• Van Leeuwen, T., & Jewitt, C. (2001). Handbook of Visual Analysis. London: Sage Publications Ltd.
• Anfara, V.A., Jr., & Mertz, N.T. (2006). Theoretical Frameworks in Qualitative Research. California: Sage Publication Inc.
• Alwasilah, A.C. (2006). Pokoknya Kualitatif: Dasar-dasar Merancang dan Melakukan Penelitian Kualitatif. Jakarta: PT Dunia Pustaka Jaya.
• Bennet, A. (2006). Design Studies: Theory and Research in Graphic Design. New York: Princeton Architectural Press.
• Berelseon, B. (1952). Content Analysis in Communication Research. New York: Hafner Press.
• Berger, A.A. (2000). Media and Communication Research Methods: An Introduction to Qualitative and Quantitative Approaches. California: Sage Publication Ltd.
• Berger, A.A. (2005). Media Analysis Techniques (3rded.). California: Sage Publication Ltd.
• Berger, A.A. (1998). Media Research Techniques (2nd Ed.). California: Sage Publication Ltd.
• Berg, B.L. (2004). Qualitative Research Methods: for the Social Science (5th ed.). Boston: Allyn and Bacon.
• Budd, R.W., Thorp, R.K., & Donohew, L. (1967). Content Analysis of Communication. New York: Macmillan Company.
• Burgin, B. (ed.) (2004). Metode Penelitian Kualitatif. Jakarta: PT RajaGrafindo Persada.
• Burgin, B. (2004). Analisis Data Penelitian Kualitatif: Pemahaman Filosofis dan Metodologis ke Arah Penguasaan Model Aplikasi. Jakarta: RajaGrafindo Persada.
• Cavana, R.Y., Delahaye, B.L, & Sekaran, U. (2001). Applied Business Research: Qualitative and Quantitative Methods. Queensland: John Wiley & Sons Australia, Ltd.
• Creswell, J.W. (2003). Research Design: Qualitative, Quantitative and Mixed Methods Approaches (2nd ed.). California: Sage Publication Ltd.
• Denzin, N.K. & Lincoln, Y.S. (2003). Collecting and Interpreting Qualitative Materials. California: Sage Publication Ltd.
• Elliot, J. (2005). Using Narrative in Social Research: Qualitative and Quantitative Approaches. London: Sage Publications Ltd.
• Emmison, M. & Smith P. (2000). Researching the Visual: Introducing Qualitative Research. London: Sage Publications Ltd.
• Endraswara, S. (2006). Metode, Teori, Teknik Penelitian Kebudayaan: Ideologi, Epistemologi dan Aplikasi. Sleman: Penerbit Pustaka Widyatama.
• Gray, C., & Malins, J. (2004). Visualizing Research: A Guide To The Research Process In Art And Design. Hants: Ashgate Publishing Ltd.
• Hesse-Biber, S.N., & Leavy, P. (2006). The Practice of Qualitative Research. California: Sage Publication Inc.
• Hesser-Biber, S.N. & Leavy, P. (Eds.) (2004). Approaches to Qualitative Research: A Reader on Theory and Practice. New York: Oxford University Press.
• Jorgensen, D.L. (1989). Participant Observation: A Methodology for Human Studies. California: Sage Publication Ltd.
• Krippendorff, K. (1980). Content Analysis: An Introduction to Its Methodology. California: Sage Publication.
• Lieblich, A., Tuval-Mashiach, R. & Zilber, T. (1998). Narrative Research: Reading, Analysis, and Interpretation. California: Sage Publication Ltd.
• Mason, J. (2002). Qualitative Researching (2nd ed.) London: Sage Publication Ltd.
• Maxwell, J.A. (2005). Qualitative Research Design: An Interactive Approach (2nded.). California: Sage Publication Ltd.
• Miles, M.B. & Huberman, A.M. (1992). Analisis Data Kualitatif. (Trans. Rohidi, T. R.). Jakarta: Penerbit Universitas Indonesia.
• Neuman, W.L. (2003). Social Research Methods: Qualitative and Quantitative Approaches (5th ed.). Boston: Allyn and Bacon.
• Nobel, I., & Bestley, R. (2005). Visual Research: An Introduction to Research Methodologies in Graphic Design. Switzertland: AVA Publishing.
• Orr, M. (2003). Intertextuality: Debates and Context. Cambridge: Polity Press.
• Richards, L. (2005). Handling Qualitative Data: A Practical Guide. London: Sage Publication Ltd.
• Richardson, S. (2005). How to Research: A Guide for Undergraduate and Graduate Students. Singapore: Thomson Learning.
• Rose, G. (2001). Visual Methodologies. London: Sage Publications Ltd.
• Seale, C. (2004). Researching Society and Culture (2nded.). California: Sage Publication Ltd.
• Silverman, D. (2004). Qualitative Research: Theory, Method and Practice. California: Sage Publication Ltd.
• Sugiyono (2005). Memahami Penelitian Kualitatif. Bandung: Alfabeta.
• Sullivan, G. (2005). Art Practice as Research: Inquiry in the Visual Arts. Thousand Oaks: Sage Publications Ltd.
• Tashakkori, A. & Teddlie, C. (1998). Mixed Methodology: Combining Qualitative and Quantitative Approaches. California: Sage Publications Ltd.
• Thomas, M.R. (2003). Blending Qualitative and Quantitative: Research Methods in Theses and Dissertations. California: Corwin Press, Inc.
• Van Leeuwen, T., & Jewitt, C. (2001). Handbook of Visual Analysis. London: Sage Publications Ltd.
Sekedar sharing referensi studi komik_03
Supaya bisa lebih bermanfaat dan juga tidak hilang-hilang, mending saya post-kan referensi buku yang selama ini saya kumpulkan berkaitan dengan studi komik.
Buku-buku literatur komik yang dibaca atau dimiliki sejauh ini:
• Baetens, J. (2001). The Graphic Novel. Leuven: Leuven University Press.
• Beaty, B. (2005). Frederic Wertham and The Critique of Mass Culture. Jackson, Miss.: University Press of Mississippi.
• Bell, R., & Sinclair, M. (2005). Pictures and Words: New Comic Art and Narrative Illustration. London: Laurence King Publishing Ltd.
• Bongco, M. (2000). Reading Comics: Language, Culture, and the Concept of Superhero in Comic Books. New York: Garland Publishing Inc.
• Carlin, J., Karasik, P., & Walker, B. (Eds.) (2006). Masters of American Comics. Los Angeles, CA: Hammer Museum and The Museum of Contemporary Art. New Haven and London: Yale University Press.
• Carrier, D. (2000). The Aesthetic of Comics. Pennsylvania: The Pennsylvania State University Press.
• Cohn, N. (2003). Early Writings on Visual Language. California: Emaki Production.
• Coogan, P. (2006). Superhero: The Secret Origin of a Genre. Texas: MonkeyBrain Books Publication.
• Dooley, M., & Heller, S. (2005). The Education of a Comic Artist. New York: Allworth Press.
• Eisner, W. (1996). Graphic Storytelling and Visual Narrative. Florida: Poorhouse Press.
• ________. (1985). Comics and Sequential Art. Florida: Poorhouse Press.
• Forsdick, C., Grove, L., & McQuillan, L. (Eds.) (2005). The Francophone Bande Dessinée. New York – Amsterdam: Rodopi B.V.
• Gravett, P. (2005). Graphic Novel: Stories to Change Your Life. London: Aurum Press Ltd.
• ________. (2004). Manga: Sixty Years of Japanese Comics. London: Laurence King Publishing Ltd.
• Groensteen, T. (1999). Système de la bande dessinée. Paris: University Presses of France.
• Harvey, R.C. (1996). The Art of Comic Book: An Aesthetic History. Jackson, Miss.: University Press of Mississippi.
• Hatfield, C. (2005). Alternative Comics: An Emerging Literature. Jackson, Miss.: University Press of Mississippi.
• Haugen, D.M. (ed.) (2005). Comic books: Examining Pop Culture. Michigan: Greenhaven Press.
• Heer, J., & Worcester, K. (2004). Arguing Comics: Literary Masters on a Popular Medium. Jackson, Miss.: University Press of Mississippi.
• Hogben, L. (1949). From Cave Painting to the Comic Strip: A Kaleidoscope of Human Communication. New York: Chanticleer Press Inc.
• Horn, M. (Ed.) (1999). The World Encyclopedia of Comics. Broomall, PA: Chelsea House Publishers.
• Inge, M.T. (1990). Comics as Culture. Jackson, Miss.: University Press of Mississippi.
• Janson, K. (2003). The DC Comics Guide to Inking Comics. New York: Watson-Guptill Publications.
• ________. (2002). The DC Comics Guide to Pencilling Comics. New York: Watson-Guptill Publications.
• Klein, T., & Chiarello, M. (2004). The DC Comics Guide to Coloring and Lettering Comics. New York: Watson-Guptill Publications.
• Lehmann, T.R. (2005). Manga: Masters of the Art. New York: Collins Design.
• Magnussen, A., & Christiansen, H. (2000). Comics and Culture: Analytical and Theoretical Approaches to Comics. Copenhagen: Museum Tusculanum Press.
• Mahamood, M. (2004). The History of Malay Editorial Cartoon (1930s-1993). Kuala Lumpur: Utusan Publications & Distributors Sdn. Bhd.
• __________. (1999). Kartun dan Kartunis. Kuala Lumpur: Univision Press Sdn. Bhd.
• __________. (1999). Pengatar Seni kartun. Kuala Lumpur: Univision Press Sdn. Bhd.
• McAllister, M.P., Sewel, E.H., Jr., & Gordon, I. (2006). Comics and Ideology. New York: Peter Lang Publishing, Inc.
• McCloud, S. (1993). Understanding Comics: The Invisible Art. Massachusetts: Kitchen Sink Press.
• ________. (2000). Reinventing Comics. New York: Paradox Press.
• ________. (2006). Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels. New York: HarperCollins Publisher.
• McLaughin, J. (ed.) (2005). Comics as Philosophy. Jackson, Miss.: University Press of Mississippi.
• Napier, S.J. (2005). Anime from Akira to Howl’s Moving Castle: Experiencing Contemporary Japanese Animation. New York: Palgrave Macmillan.
• O’neil, D. (2001). The DC Comics Guide to Writing Comics. New York: Watson-Guptill Publications.
• Patten, F. (2004). Watching Anime, Reading Manga. California: Stone Bridge Press.
• Pustz, M. J. (1999). Comic Book Culture: Fanboys and True Believers. Jackson, Miss.: University Press of Mississippi.
• Raeburn, D. (2004). Chris Ware. London: Laurence King Publishing.
• Rall, T. (2006). Attitude 3: The New Subversive Online Cartoonist. New York: NBM Publishing Inc.
• Rall, T. (2004). Attitude 2: The New Subversive Alternative Cartoonist. New York: NBM Publishing Inc.
• Rall, T. (2002). Attitude: The New Subversive Political Cartoonist. New York: NBM Publishing Inc.
• Reitberger, R. & Fuchs, W. (1972). Comics: Anatomy of A Mass Medium (Trans. Fowler, N.). Boston: Little, Brown and Company.
• Robbins, T. (2001). The Great Women Cartoonist. New York: Watson-Guptil Publications.
• Robinson, L. A. (2004). Wonder Woman: Feminisms and Superheroes. New York: Routledge.
• Sabin, R. (1996). Comics, Comix and Graphic Novel: A History of Comic Art. London: Phaidon Press Limited.
• Salisbury, M. (2000). Artist on Comic Art. London: Titans Books.
• Sanders, J. (Eds.) (2006). The Sandman Papers: An Exploration of the Sandman Mythology. Washington: Fantagraphics Books.
• Saraceni, M. (2003). The Language of Comics. London: Routledge.
• Schodt, F.L. (1986). Manga! Manga! The World of Japanese Comics. Tokyo: Kodansha International Ltd.
• Setiawan, M.N. (2002). Menakar Panji Koming: Tafsiran Komik Karya Dwi Koendoro pada Masa Reformasi Tahun 1998. Jakarta: Penerbit Buku Kompas.
• Silbermann, A. (1986). Comics and Visual Culture: Research Studies from Ten Countries. Munchen : K.G. Saur.
• Skinn, D. (2004). Comix: The Underground Revolution. New York: Thunder’s Mouth Press.
• Talon, D.S (2004). Comics Above Ground: How Sequential Art Affects Mainstream Media. North Carolina: TwoMorrows Publishing.
• Talon, D.S. (2003). Panel Discussion. North Carolina: TwoMorrows Publishing.
• Varnum, R., & Gibbons, C.T. (2001). The Language of Comics: Word and Image. Jackson, Miss.: University Press of Mississippi.
• Weiner, S. (2003). The Rise of the Graphic Novel. New York: NBM Publishing Inc.
• Wiedemann, J. (Ed.) & Masano, A. (2004). Manga. Köln: Yasche GmbH.
• Witek, J. (1989). Comic Books as History: The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar. Jackson, Miss.: University Press of Mississippi.
• Withrow, S., & Barber, J. (2005). Web Comics. East Sussex: Ilex Press Ltd.
Buku-buku literatur komik yang dibaca atau dimiliki sejauh ini:
• Baetens, J. (2001). The Graphic Novel. Leuven: Leuven University Press.
• Beaty, B. (2005). Frederic Wertham and The Critique of Mass Culture. Jackson, Miss.: University Press of Mississippi.
• Bell, R., & Sinclair, M. (2005). Pictures and Words: New Comic Art and Narrative Illustration. London: Laurence King Publishing Ltd.
• Bongco, M. (2000). Reading Comics: Language, Culture, and the Concept of Superhero in Comic Books. New York: Garland Publishing Inc.
• Carlin, J., Karasik, P., & Walker, B. (Eds.) (2006). Masters of American Comics. Los Angeles, CA: Hammer Museum and The Museum of Contemporary Art. New Haven and London: Yale University Press.
• Carrier, D. (2000). The Aesthetic of Comics. Pennsylvania: The Pennsylvania State University Press.
• Cohn, N. (2003). Early Writings on Visual Language. California: Emaki Production.
• Coogan, P. (2006). Superhero: The Secret Origin of a Genre. Texas: MonkeyBrain Books Publication.
• Dooley, M., & Heller, S. (2005). The Education of a Comic Artist. New York: Allworth Press.
• Eisner, W. (1996). Graphic Storytelling and Visual Narrative. Florida: Poorhouse Press.
• ________. (1985). Comics and Sequential Art. Florida: Poorhouse Press.
• Forsdick, C., Grove, L., & McQuillan, L. (Eds.) (2005). The Francophone Bande Dessinée. New York – Amsterdam: Rodopi B.V.
• Gravett, P. (2005). Graphic Novel: Stories to Change Your Life. London: Aurum Press Ltd.
• ________. (2004). Manga: Sixty Years of Japanese Comics. London: Laurence King Publishing Ltd.
• Groensteen, T. (1999). Système de la bande dessinée. Paris: University Presses of France.
• Harvey, R.C. (1996). The Art of Comic Book: An Aesthetic History. Jackson, Miss.: University Press of Mississippi.
• Hatfield, C. (2005). Alternative Comics: An Emerging Literature. Jackson, Miss.: University Press of Mississippi.
• Haugen, D.M. (ed.) (2005). Comic books: Examining Pop Culture. Michigan: Greenhaven Press.
• Heer, J., & Worcester, K. (2004). Arguing Comics: Literary Masters on a Popular Medium. Jackson, Miss.: University Press of Mississippi.
• Hogben, L. (1949). From Cave Painting to the Comic Strip: A Kaleidoscope of Human Communication. New York: Chanticleer Press Inc.
• Horn, M. (Ed.) (1999). The World Encyclopedia of Comics. Broomall, PA: Chelsea House Publishers.
• Inge, M.T. (1990). Comics as Culture. Jackson, Miss.: University Press of Mississippi.
• Janson, K. (2003). The DC Comics Guide to Inking Comics. New York: Watson-Guptill Publications.
• ________. (2002). The DC Comics Guide to Pencilling Comics. New York: Watson-Guptill Publications.
• Klein, T., & Chiarello, M. (2004). The DC Comics Guide to Coloring and Lettering Comics. New York: Watson-Guptill Publications.
• Lehmann, T.R. (2005). Manga: Masters of the Art. New York: Collins Design.
• Magnussen, A., & Christiansen, H. (2000). Comics and Culture: Analytical and Theoretical Approaches to Comics. Copenhagen: Museum Tusculanum Press.
• Mahamood, M. (2004). The History of Malay Editorial Cartoon (1930s-1993). Kuala Lumpur: Utusan Publications & Distributors Sdn. Bhd.
• __________. (1999). Kartun dan Kartunis. Kuala Lumpur: Univision Press Sdn. Bhd.
• __________. (1999). Pengatar Seni kartun. Kuala Lumpur: Univision Press Sdn. Bhd.
• McAllister, M.P., Sewel, E.H., Jr., & Gordon, I. (2006). Comics and Ideology. New York: Peter Lang Publishing, Inc.
• McCloud, S. (1993). Understanding Comics: The Invisible Art. Massachusetts: Kitchen Sink Press.
• ________. (2000). Reinventing Comics. New York: Paradox Press.
• ________. (2006). Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels. New York: HarperCollins Publisher.
• McLaughin, J. (ed.) (2005). Comics as Philosophy. Jackson, Miss.: University Press of Mississippi.
• Napier, S.J. (2005). Anime from Akira to Howl’s Moving Castle: Experiencing Contemporary Japanese Animation. New York: Palgrave Macmillan.
• O’neil, D. (2001). The DC Comics Guide to Writing Comics. New York: Watson-Guptill Publications.
• Patten, F. (2004). Watching Anime, Reading Manga. California: Stone Bridge Press.
• Pustz, M. J. (1999). Comic Book Culture: Fanboys and True Believers. Jackson, Miss.: University Press of Mississippi.
• Raeburn, D. (2004). Chris Ware. London: Laurence King Publishing.
• Rall, T. (2006). Attitude 3: The New Subversive Online Cartoonist. New York: NBM Publishing Inc.
• Rall, T. (2004). Attitude 2: The New Subversive Alternative Cartoonist. New York: NBM Publishing Inc.
• Rall, T. (2002). Attitude: The New Subversive Political Cartoonist. New York: NBM Publishing Inc.
• Reitberger, R. & Fuchs, W. (1972). Comics: Anatomy of A Mass Medium (Trans. Fowler, N.). Boston: Little, Brown and Company.
• Robbins, T. (2001). The Great Women Cartoonist. New York: Watson-Guptil Publications.
• Robinson, L. A. (2004). Wonder Woman: Feminisms and Superheroes. New York: Routledge.
• Sabin, R. (1996). Comics, Comix and Graphic Novel: A History of Comic Art. London: Phaidon Press Limited.
• Salisbury, M. (2000). Artist on Comic Art. London: Titans Books.
• Sanders, J. (Eds.) (2006). The Sandman Papers: An Exploration of the Sandman Mythology. Washington: Fantagraphics Books.
• Saraceni, M. (2003). The Language of Comics. London: Routledge.
• Schodt, F.L. (1986). Manga! Manga! The World of Japanese Comics. Tokyo: Kodansha International Ltd.
• Setiawan, M.N. (2002). Menakar Panji Koming: Tafsiran Komik Karya Dwi Koendoro pada Masa Reformasi Tahun 1998. Jakarta: Penerbit Buku Kompas.
• Silbermann, A. (1986). Comics and Visual Culture: Research Studies from Ten Countries. Munchen : K.G. Saur.
• Skinn, D. (2004). Comix: The Underground Revolution. New York: Thunder’s Mouth Press.
• Talon, D.S (2004). Comics Above Ground: How Sequential Art Affects Mainstream Media. North Carolina: TwoMorrows Publishing.
• Talon, D.S. (2003). Panel Discussion. North Carolina: TwoMorrows Publishing.
• Varnum, R., & Gibbons, C.T. (2001). The Language of Comics: Word and Image. Jackson, Miss.: University Press of Mississippi.
• Weiner, S. (2003). The Rise of the Graphic Novel. New York: NBM Publishing Inc.
• Wiedemann, J. (Ed.) & Masano, A. (2004). Manga. Köln: Yasche GmbH.
• Witek, J. (1989). Comic Books as History: The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar. Jackson, Miss.: University Press of Mississippi.
• Withrow, S., & Barber, J. (2005). Web Comics. East Sussex: Ilex Press Ltd.
Sekedar sharing referensi studi komik_02
Supaya bisa lebih bermanfaat dan juga tidak hilang-hilang, mending saya post-kan referensi internet yang selama ini saya kumpulkan berkaitan dengan studi komik.
Yang dari internet:
• http://groups.yahoo.com/group/a_comicbook_reflections/links
• http://madinkbeard.com
• Alex Singer (2007). The most important thing is the comics - What's Next? - cultural expression - Brief Article. Whole Earth. Spring 2002. FindArticles.com. 09 Feb. Retrieved from: http://www.findarticles.com/p/articles/mi_m0GER/ is_2002_Spring/ai_84866427
• Ault, Donald (2004). "Imagetextuality: "Cutting Up" Again, pt. III." ImageTexT: Interdisciplinary Comics Studies. 1.1. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_1/ault/index.shtml
• Barber, J. (2002). The Phenomenon of Multiple Dialectics in Comics Layout. Master Thesis. Typo/Graphic Studies, London College of Printing. Retrieved from: http://www.johnbarbercomics.com/layout.htm
• Boyask, Ruth (2000). Reading Community in Funtime Comics: A New Zealand Narrative. International Journal of Comic Art, Vol 2, No.2, Fall 2000. Retrieved from: http://funtime.comics.org.nz/ruthsarticle.html
• Broglio, Ron. "William Blake and the Novel Space of Revolution." ImageTexT: Interdisciplinary Comics Studies. 3.2 (2007). Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v3_2/ broglio/
• Chung, P. (1998). The State of Visual Narrative in Film and Comics. Animation World Magazine. Issue 3.4 July. Retrieve from: http://www.awn.com/mag/issue3.4/3.4pages/ 3.4chung.html
• Comics Art and Comics. Retrieved from: http://www.comicsresearch.org/CAC/index.html
• Duncan, R. (2000). Toward a Theory of Comic Book Communication. Academic Forum Online 1999-2000/Number 17. Handerson State University. Retrieved from: http://www.hsu.edu/default.aspx?id=3508
• Fenty, Sean, Trena Houp and Laurie Taylor (2004). "Webcomics: The Influence and Continuation of the Comix Revolution." ImageTexT: Interdisciplinary Comics Studies. 1.2. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_2/group/index.shtml.com
• Heer, J. and Worcester, K. (2005). Intellectual Marijuana: Comics and their Critics. Toronto Star Ideas. Retrieved March 27, 2005 from: http://www.jeetheer.com/comics/intellectualmarijuana.htm
• Henricks, Mark (2006). Cartooning Draws Expressive Individuals. Startup Journal. Dow Jones & Company, Inc. Retrieved from: http://startup.wsj.com/columnists/startuplifestyle/20060815-lifestyle.html
• Image [&] Narrative. Online Magazine of the Visual Narrative. Retrieved from: http://www.imageandnarrative.be/
• ImageText: Interdisciplinary Comics Studies. Online Web Journal. English Department, University of Florida . Retrieved from: http://www.english.ufl.edu/imagetext/
• Julian Darius (2003). The Sequart Manifesto. Sequential Culture #19. Retrieved from: http://www.sequart.com/columns/?col=2&column=245
• Leslie, Esther. Blake's Lines: Seven Digressions Through Time and Space. ImageTexT: Interdisciplinary Comics Studies. 3.2 (2007). Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v3_2/leslie/
• McCabe, D. (2007). Just Don’t Called It Mickey Mouse. Universities Affairs: Canada’s Magazine on Higher Education, March. The Association of Universities and Colleges of Canada. Retrieved from: http://www.universityaffairs.ca/issues/2007/march_build _0207/mickey_mouse_01.html
• Meskin, A. (2006). A Note on Defining (Not Defining) Comics. Retrieved 10 February 2007 from:
• Paddison, Joshua (2004). "Review of Comic Strips and Consumer Culture by Ian Gordon." ImageTexT: Interdisciplinary Comics Studies. 1.2. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_2/reviews/paddison.shtml
• Panofsky, E.
• Spring, T. (1995). Comic Strip A Reflection Of Society, New Field Of Research. Retrieved from: http://www.osu.edu/osu/newsrel/Archive/95-01-03_Comics_ Reflect_Society
• The Comics Journal. Online Essay. Retrieved from: http://www.tcj.com/
• Toku, M. (2004). The Power of Girl’s Comics: The Value and Contribution to Visual Culture and Society. Paper presented at forum of Visual Culture of Childhood: Child Art after Modernism, Pennsylvania State University. Retrieved from: http://www.csuchio.edu/~mtoku/vc/Articles/toku/Power_Girls_Comics.html
• Vaswani, K. (2003). Theorizing the Gaze in Comics: Focaliztion, Juxtaposition, and Voice in Diane DiMassa’s Hothead Paisan. Retrieved from 10 February 2007 from: www.courses.rochester.edu/vaswani/hal.doc
• Wivel, M. (2007). Comic Transformations – Topffer and the Reinvention of Comics in the First Half of the 19th Century. Retrieved from http://www.metabunkerdk./?p=768
• Wolańska, A. (2002). The birth, evolution and function of comics. M. Sobieszek (Trans.). Contemporary book art - EBIB No.10/2002. Open Society Institute. Retrieved from: http://ebib.oss.wroc.pl/english/grant/wolanska.php
Yang dari internet:
• http://groups.yahoo.com/group/a_comicbook_reflections/links
• http://madinkbeard.com
• Alex Singer (2007). The most important thing is the comics - What's Next? - cultural expression - Brief Article. Whole Earth. Spring 2002. FindArticles.com. 09 Feb. Retrieved from: http://www.findarticles.com/p/articles/mi_m0GER/ is_2002_Spring/ai_84866427
• Ault, Donald (2004). "Imagetextuality: "Cutting Up" Again, pt. III." ImageTexT: Interdisciplinary Comics Studies. 1.1. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_1/ault/index.shtml
• Barber, J. (2002). The Phenomenon of Multiple Dialectics in Comics Layout. Master Thesis. Typo/Graphic Studies, London College of Printing. Retrieved from: http://www.johnbarbercomics.com/layout.htm
• Boyask, Ruth (2000). Reading Community in Funtime Comics: A New Zealand Narrative. International Journal of Comic Art, Vol 2, No.2, Fall 2000. Retrieved from: http://funtime.comics.org.nz/ruthsarticle.html
• Broglio, Ron. "William Blake and the Novel Space of Revolution." ImageTexT: Interdisciplinary Comics Studies. 3.2 (2007). Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v3_2/ broglio/
• Chung, P. (1998). The State of Visual Narrative in Film and Comics. Animation World Magazine. Issue 3.4 July. Retrieve from: http://www.awn.com/mag/issue3.4/3.4pages/ 3.4chung.html
• Comics Art and Comics. Retrieved from: http://www.comicsresearch.org/CAC/index.html
• Duncan, R. (2000). Toward a Theory of Comic Book Communication. Academic Forum Online 1999-2000/Number 17. Handerson State University. Retrieved from: http://www.hsu.edu/default.aspx?id=3508
• Fenty, Sean, Trena Houp and Laurie Taylor (2004). "Webcomics: The Influence and Continuation of the Comix Revolution." ImageTexT: Interdisciplinary Comics Studies. 1.2. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_2/group/index.shtml.com
• Heer, J. and Worcester, K. (2005). Intellectual Marijuana: Comics and their Critics. Toronto Star Ideas. Retrieved March 27, 2005 from: http://www.jeetheer.com/comics/intellectualmarijuana.htm
• Henricks, Mark (2006). Cartooning Draws Expressive Individuals. Startup Journal. Dow Jones & Company, Inc. Retrieved from: http://startup.wsj.com/columnists/startuplifestyle/20060815-lifestyle.html
• Image [&] Narrative. Online Magazine of the Visual Narrative. Retrieved from: http://www.imageandnarrative.be/
• ImageText: Interdisciplinary Comics Studies. Online Web Journal. English Department, University of Florida . Retrieved from: http://www.english.ufl.edu/imagetext/
• Julian Darius (2003). The Sequart Manifesto. Sequential Culture #19. Retrieved from: http://www.sequart.com/columns/?col=2&column=245
• Leslie, Esther. Blake's Lines: Seven Digressions Through Time and Space. ImageTexT: Interdisciplinary Comics Studies. 3.2 (2007). Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v3_2/leslie/
• McCabe, D. (2007). Just Don’t Called It Mickey Mouse. Universities Affairs: Canada’s Magazine on Higher Education, March. The Association of Universities and Colleges of Canada. Retrieved from: http://www.universityaffairs.ca/issues/2007/march_build _0207/mickey_mouse_01.html
• Meskin, A. (2006). A Note on Defining (Not Defining) Comics. Retrieved 10 February 2007 from:
• Paddison, Joshua (2004). "Review of Comic Strips and Consumer Culture by Ian Gordon." ImageTexT: Interdisciplinary Comics Studies. 1.2. Dept of English, University of Florida. 8 Feb 2007. Retrieved from: http://www.english.ufl.edu/imagetext/archives/v1_2/reviews/paddison.shtml
• Panofsky, E.
• Spring, T. (1995). Comic Strip A Reflection Of Society, New Field Of Research. Retrieved from: http://www.osu.edu/osu/newsrel/Archive/95-01-03_Comics_ Reflect_Society
• The Comics Journal. Online Essay. Retrieved from: http://www.tcj.com/
• Toku, M. (2004). The Power of Girl’s Comics: The Value and Contribution to Visual Culture and Society. Paper presented at forum of Visual Culture of Childhood: Child Art after Modernism, Pennsylvania State University. Retrieved from: http://www.csuchio.edu/~mtoku/vc/Articles/toku/Power_Girls_Comics.html
• Vaswani, K. (2003). Theorizing the Gaze in Comics: Focaliztion, Juxtaposition, and Voice in Diane DiMassa’s Hothead Paisan. Retrieved from 10 February 2007 from: www.courses.rochester.edu/vaswani/hal.doc
• Wivel, M. (2007). Comic Transformations – Topffer and the Reinvention of Comics in the First Half of the 19th Century. Retrieved from http://www.metabunkerdk./?p=768
• Wolańska, A. (2002). The birth, evolution and function of comics. M. Sobieszek (Trans.). Contemporary book art - EBIB No.10/2002. Open Society Institute. Retrieved from: http://ebib.oss.wroc.pl/english/grant/wolanska.php
Sekedar sharing referensi studi komik
SUpaya bisa lebih bermanfaat dan juga tidak hilang-hilang, mending saya post-kan referensi buku dan thesis yang selama ini saya kumpulkan berkaitan dengan studi komik.
Thesis dan Disertasi:
• Awazuhara, A. (2005). Beauty Never Dies: Images of Para-Reality in Japan [Electronic version]. Doctoral Dissertation. Department of Mythological Studies, Pacifica Graduate Institute.
• Bongco, M. F. J. (1995). Reading Comics: Analyzing Language, Culture and the Concept of Superheroes Comicbooks [Electronic version]. Doctoral Dissertaion. Faculty of Graduate Studies and Research, Department of Comparative Studies and Modern Language, University of Alberta.
• Dean, M. (2000). The Ninth Art: Traversing the Cultural Space of the American Comic Book [Electronic Version]. Doctoral Thesis. Departement of English, The University of Wisconsins-Milwaukee.
• Donnelly, B.T. (2005). Picturing Words, Writing Images [Electronic version]. Doctoral Thesis. Department of Art, Queen’s University.
• Driest, J. (2005). Subjective Narration in Comics [Electronic version]. Master Thesis. New Media and Digital Culture, Faculty of Arts, University of Utrecht, the Netherlands.
• Duncan II, R.R. (1990). Panel Analysis: A Critical Method for Analyzing the Rethoric of Comic Book Form [Electronic version]. Doctoral Dissertation. Department of Speech Communication, Theatre, and Communication Disorders, Louisiana State University and Argicultural and Mechanical College.
• Hatfield, C.W. (2000). Graphic Intervention: Form and Argument in Contemporary Comics [Electronic version]. Doctoral Dissertation. University of Connecticut.
• Kannenberg, E.P., Jr. (2002). Form, Function, Ficiton: Text and Image in the Comics Narratives of Winsor McCay, Art Spiegelman, and Crhis Ware [Electronic version]. Doctoral Dissertation. Department of English, University of Connecticut.
• Marshall, S. (1992). Toward a Literary Treatment of Comic books [Electronic version]. Master Thesis. Master of Arts (English), Acadia University.
• Miller, J.A. (2001). Critical Analysis of Comic Strips: A Semiological Approach [Electronic version]. Doctoral Dissertation. Faculty of the Department of Communication, State University of New York.
• Olorntoba, B.J. (2004). Travel warning: Welcome to Lagos, a Graphic Novel Script: The Graphic Novel as a Medium for the Postcolonial Writer [Electronic version]. Master Portfolio. School of Communication and the Arts, Regent University.
• Onoda, N. (2005). Tezuka Osamu: An Intertextual History of Comics in Post-World war II Japan [Electronic version]. Doctoral Dissertation. Field of Performance Studies, Northwestern University.
• Petrucci, M. L. (2005). Collage Literacy and Textual Landscapes: Four Case Studies of Individuals Layered in Words and Pictures [Electronic Version]. Doctoral Dissertation. Indiana University of Pennsylvania.
• Round, J. (2006). From Comic Book to Graphic Novel: Writing, Reading, and Semiotics. Unpublished Doctoral Dissertation. English Literature department, Bristol University.
• Rufus, A. (2004). Good and Evil in the Ashes: The Seacrh for a New Aesthetic and a New Morality in Post-WWII Japna, as Revealed in Keiji Nakazawa’s Barefoot Gen and Selected Late 20th Century Japanese Literature [Electronic version]. Master Thesis. Department of Humanities, Faculty of California State University.
• Stainbrook, E.J. (2003). Reading Comics: A Theoretical Analysis of Textuality and Discourse in the Comics Medium [Electronic version]. Doctoral Dissertation. School of Graduate Studies and Research, Indiana University of Pennsylvania.
• Steiling, D. (2006). Icon, Representation, and Virtuality in Reading the Graphic Narrative [Electronic version]. Doctoral Dissertation. Department of English, College of Arts and Sciences, University of South Florida.
• Swanbom, L. M. (2006). Calvinist Critique and Hobbesian Humor: The Rhetorical and Linguistic Benefits of Calvin and Hobbes in Popular Culture [Electronic Version]. Master Thesis. Texas: Stephenville: The College of Graduate Studies – Tarleton University.
• Wright, L.R. (2006). Re-Imagining Genre: Comics, Literature, and Textual Form [Electronic version]. Doctoral Dissertation. Faculty of the Graduate College, University of Nebraska.
Thesis dan Disertasi:
• Awazuhara, A. (2005). Beauty Never Dies: Images of Para-Reality in Japan [Electronic version]. Doctoral Dissertation. Department of Mythological Studies, Pacifica Graduate Institute.
• Bongco, M. F. J. (1995). Reading Comics: Analyzing Language, Culture and the Concept of Superheroes Comicbooks [Electronic version]. Doctoral Dissertaion. Faculty of Graduate Studies and Research, Department of Comparative Studies and Modern Language, University of Alberta.
• Dean, M. (2000). The Ninth Art: Traversing the Cultural Space of the American Comic Book [Electronic Version]. Doctoral Thesis. Departement of English, The University of Wisconsins-Milwaukee.
• Donnelly, B.T. (2005). Picturing Words, Writing Images [Electronic version]. Doctoral Thesis. Department of Art, Queen’s University.
• Driest, J. (2005). Subjective Narration in Comics [Electronic version]. Master Thesis. New Media and Digital Culture, Faculty of Arts, University of Utrecht, the Netherlands.
• Duncan II, R.R. (1990). Panel Analysis: A Critical Method for Analyzing the Rethoric of Comic Book Form [Electronic version]. Doctoral Dissertation. Department of Speech Communication, Theatre, and Communication Disorders, Louisiana State University and Argicultural and Mechanical College.
• Hatfield, C.W. (2000). Graphic Intervention: Form and Argument in Contemporary Comics [Electronic version]. Doctoral Dissertation. University of Connecticut.
• Kannenberg, E.P., Jr. (2002). Form, Function, Ficiton: Text and Image in the Comics Narratives of Winsor McCay, Art Spiegelman, and Crhis Ware [Electronic version]. Doctoral Dissertation. Department of English, University of Connecticut.
• Marshall, S. (1992). Toward a Literary Treatment of Comic books [Electronic version]. Master Thesis. Master of Arts (English), Acadia University.
• Miller, J.A. (2001). Critical Analysis of Comic Strips: A Semiological Approach [Electronic version]. Doctoral Dissertation. Faculty of the Department of Communication, State University of New York.
• Olorntoba, B.J. (2004). Travel warning: Welcome to Lagos, a Graphic Novel Script: The Graphic Novel as a Medium for the Postcolonial Writer [Electronic version]. Master Portfolio. School of Communication and the Arts, Regent University.
• Onoda, N. (2005). Tezuka Osamu: An Intertextual History of Comics in Post-World war II Japan [Electronic version]. Doctoral Dissertation. Field of Performance Studies, Northwestern University.
• Petrucci, M. L. (2005). Collage Literacy and Textual Landscapes: Four Case Studies of Individuals Layered in Words and Pictures [Electronic Version]. Doctoral Dissertation. Indiana University of Pennsylvania.
• Round, J. (2006). From Comic Book to Graphic Novel: Writing, Reading, and Semiotics. Unpublished Doctoral Dissertation. English Literature department, Bristol University.
• Rufus, A. (2004). Good and Evil in the Ashes: The Seacrh for a New Aesthetic and a New Morality in Post-WWII Japna, as Revealed in Keiji Nakazawa’s Barefoot Gen and Selected Late 20th Century Japanese Literature [Electronic version]. Master Thesis. Department of Humanities, Faculty of California State University.
• Stainbrook, E.J. (2003). Reading Comics: A Theoretical Analysis of Textuality and Discourse in the Comics Medium [Electronic version]. Doctoral Dissertation. School of Graduate Studies and Research, Indiana University of Pennsylvania.
• Steiling, D. (2006). Icon, Representation, and Virtuality in Reading the Graphic Narrative [Electronic version]. Doctoral Dissertation. Department of English, College of Arts and Sciences, University of South Florida.
• Swanbom, L. M. (2006). Calvinist Critique and Hobbesian Humor: The Rhetorical and Linguistic Benefits of Calvin and Hobbes in Popular Culture [Electronic Version]. Master Thesis. Texas: Stephenville: The College of Graduate Studies – Tarleton University.
• Wright, L.R. (2006). Re-Imagining Genre: Comics, Literature, and Textual Form [Electronic version]. Doctoral Dissertation. Faculty of the Graduate College, University of Nebraska.
Monday, April 30, 2007
Graphic Novelist I-II-III
U-X-L Graphic Novelist yang didistribusikan melalui jaringan penerbit Thomson-Gale menunjukkan tanda-tanda bahwa komik sebagai novel grafis semakin diakui oleh lingkungan akademis sebagai objek kajian yang mempunyai nilai penting bagi masyarakat dan ilmu pengetahuan manusia itu sendiri.The System of Comics
Komik, atau sekarang lebih dikenali dalam bentuk dan isinya yang lebih dewasa dengan sebutan 'graphic novel' arti sederhananya adalah cerita novel (dapat sesuai untuk remaja atau dewasa) yang dituturkan dalam bentuk grafis atau gambar ilustrasi.
Sistem Komik ini adalah karya Thierry Groensteen, kalau komik tebal Craig Thompson 'Blanket' menandakan komik mulai diakui sebagai budaya visual yang berpengaruh, demikian kata John Naisbitt di salah satu bagian buku terbarunya 'MindSet!', maka kajian akademik yang bertumpu pada semiotik seni komik ini boleh dikatakan sebagai petanda bahwa komik aka 'graphic novel' ini sudah ditanggapi serius sebagai sebuah disiplin ilmu yang dinilai penting.
Tuesday, April 10, 2007
Good: Ethics & Graphic Design
Is it right to use good design for bad purposes?
In a world where awareness of ethics is increasing—but actual ethics themselves may be decreasing—where does graphic design fit in? What is the responsibility of the graphic designer? Is it right to use good design to further evil in the world, merely for the sake of being a good designer? Without dictating a moral stance, Good: Ethics and Graphic Design explores the idea of “being good” and uses what-if scenarios to explore the ramifications of different business decisions. Author Lucienne Roberts draws readers into a debate about professional “goodness” versus personal “goodness” and the relationship between ethics and design practice.
- Design theory as philosophy
- Designers, typographers, photographers, and illustrators define "being good"
- Fascinating for students and designers in business
Lucienne Roberts is the founder of the design studio sans+baum, which focuses on projects outside the commercial mainstream. A contributor to Eye and Grafik magazines, she lives in London, England.
excerpt from: http://www.watsonguptill.com/detail.html?session=d39e5952c16a2efc5e6f2281a1be0077&cat=9&id=2-940373-14-0Looking Closer 5
There would be no serious design without serious design criticism, once Massimo Vignelli challenges us, and until now it remains unfulfilled. Looking Closer has been published for four volumes, and this latest one a compilation of design criticism from 2001-2005 is bringing the graphic design issues into the next level of seriousness of criticism.
There are six section which give annotation to graphic design as six topics. Graphic design as a system, as culture, as fashion, as politics, as passion, and as idea.
Looking closer was a room for intellectual battle of graphic design issues that brought divergent thinking into one purpose: serious graphic design reflection on society and culture where they belongs.
Sunday, March 25, 2007
Damien Hirst: Superstition
Sepanjang bulan Febuari (22) hingga Maret (5) 2007 tahun ini artis Inggris Damien Hirst mengadakan pamerannya berjudul Superstition, di Gagosian Gallery456 North Camden Drive
Beverly Hills, Amerika.
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Gagosian Gallery is pleased to announce an exhibition of new paintings by Damien Hirst. Opening concurrently at Gagosian Gallery in Beverly Hills and Davies Street, London, Damien Hirst: Superstition is the artist's first exhibition in Los Angeles in over a decade. In these works, Hirst expands on the iconic motif of the butterfly as a symbol of the beauty and inherent fragility of life, reaching new heights of complexity, refined detail and radiance.
Throughout his work over the last twenty-five years, Hirst has taken a direct and challenging approach to ideas about existence. His work provokes a critical dialogue by calling into question our awareness and convictions about the boundaries that separate desire and fear, life and death, reason and faith, love and hate. In his art, Hirst uses the tools and iconography of science and religion, creating sculptures and paintings whose beauty and intensity offer the viewer insight into art that transcends our familiar understanding of those domains.
In this exhibition, Hirst creates paintings whose classical shapes and compositions take their inspiration from stained glass church windows. From the soaring gothic arch in Aubade - Crown of Glory to the intricate form of the rose window in Friday Night in the Royal Station Hotel - Conception, the works all portray an ornate, fractal geometry and perfect, mathematical symmetry that is awe-inspiring.
Each painting in Damien Hirst: Superstition has two titles, the first taken from the poems in Philip Larkin's collection High Windows. Larkin was an English poet whose fatalistic, colloquial writings speak to a seemingly shared extinguished faith. The second title makes direct reference to religious iconography. A fully illustrated catalogue with essays by noted Larkin scholars John Banville and Richard Bradford will accompany the exhibition.
diambil dari http://www.gagosian.com/exhibitions/beverly-hills-2007-02-damien-hirst/images/
Beverly Hills, Amerika.
====
Gagosian Gallery is pleased to announce an exhibition of new paintings by Damien Hirst. Opening concurrently at Gagosian Gallery in Beverly Hills and Davies Street, London, Damien Hirst: Superstition is the artist's first exhibition in Los Angeles in over a decade. In these works, Hirst expands on the iconic motif of the butterfly as a symbol of the beauty and inherent fragility of life, reaching new heights of complexity, refined detail and radiance.
Throughout his work over the last twenty-five years, Hirst has taken a direct and challenging approach to ideas about existence. His work provokes a critical dialogue by calling into question our awareness and convictions about the boundaries that separate desire and fear, life and death, reason and faith, love and hate. In his art, Hirst uses the tools and iconography of science and religion, creating sculptures and paintings whose beauty and intensity offer the viewer insight into art that transcends our familiar understanding of those domains.
In this exhibition, Hirst creates paintings whose classical shapes and compositions take their inspiration from stained glass church windows. From the soaring gothic arch in Aubade - Crown of Glory to the intricate form of the rose window in Friday Night in the Royal Station Hotel - Conception, the works all portray an ornate, fractal geometry and perfect, mathematical symmetry that is awe-inspiring.
Each painting in Damien Hirst: Superstition has two titles, the first taken from the poems in Philip Larkin's collection High Windows. Larkin was an English poet whose fatalistic, colloquial writings speak to a seemingly shared extinguished faith. The second title makes direct reference to religious iconography. A fully illustrated catalogue with essays by noted Larkin scholars John Banville and Richard Bradford will accompany the exhibition.
diambil dari http://www.gagosian.com/exhibitions/beverly-hills-2007-02-damien-hirst/images/
Saturday, March 17, 2007
Seorang kolumnis dan jurnalis sains populer melakukan perjalanannya mengunjungi beberapa kolega sainstis yang diharapkan dapat memberikan jawaban atas,"Apakah sains masih diperlukan untuk memecahkan masalah-masalah di dunia dan akan menuju kemanakah kemajuan (kalau ada) sains di masa depan?"
Di dalamnya terdapat berbagai argumen dan diskusi dari para tokoh sains yang memberikan gambaran bahwa, setelah teori gravitasi Newton (ukuran menengah, teori utk di bumi), teori relativitas Eisntein (ukuran besar, teori utk planet-planet), dan teori quantum (ukuran mikro, teori utk sel-sel, partikel dan molekuler). Keinginan para saintis utk menemukan sebuah teori besar yg secara umumnya dapat menyatukan ketiga-tiga teori tersebut, dan masih belum menemui titik cerah sehingga fisika kini mengarah kepada pendekatan penjelasan filosofis (abstraksi dengan berbagai rumus/fromula matematis) daripada pembuktian ilmiah melalui laboratorium.
Brian Greene yang memulakan penjelasan populernya tentang ruang (space), waktu dan realitas tekstur semesta di dalam The Fabric of the Cosmos, kembali menuliskan secara populer tentang sebuah pencarian akan Theory of Universe atau Theory of Everthing atau Grand Theory. Pendekatan fisika dan matematika tentu akan menarik bagi para kosmolog dan juga astronomer. Pembahasan lebih lanjut tentang SuperString Theory akan lebih mudah dicerna apabila pembaca terlebih dahulu memahami konsep berpikir falsafi fisika yang berawal dari fisika Eistein tentang ruang dan juga lubang hitamnya Hawking.
Bagi peminat dengan sedikit latar belakang pengetahuan tentang sains matematika atau fisika atau kimia dan sejenisnya akan lebih mudah untuk mengikuti tulisan fundamental ini. Penulisnya mencoba menerangkan kondisi struktur matematis dari alam semesta. Sebuah padanan dari The Elegant Universe dari penulis fisika popular Brian Greene, tetapi dalam bentuk yang lebih ilmiah fundamental. Betullah kiranya bahwa dunia sains semakin mendekati sifat falsafi-nya sebagaimana diungkapkan oleh John Horgan, kolumnis Scientific American, dalam buku hasil wawancaranya dengan banyak pakar sains - The End of Scinece.
Global Culture/Individual Identity
Global Culture/Individual Identity menawarkan sebuah diskusi tentang bagaimana kondisi terkini dari tiga budaya besar di dunia. Yaitu Jepang, Cina dan Amerika. Hasil diskusi mendalam dari penulis dengan berbagai kalangan budayawan dan seniman tradisional dan kontemporer. Di dalamnya, melalui pendekatan yg bersifat antropologis, penulis mengajak kita bergelut dengan persoalan seperti pelestarian budaya dan pencarian kembali jati diri bangsa yang di jaman sekarang ini sudah dikelilingi oleh dunia 'cultural supermarket' atau kepembudayaan supermarket.
Thursday, March 01, 2007
The Story of Graphic Design inFrance
Desain grafis Perancis mempunyai ciri khas tersendiri, meskipun berbagai gaya desain melanda dunia grafis, mereka mempunya karakteristik tersendiri yang sudah terbangun sejak lama sehingga menjadi tradisi. Kesederhanaan dalam permainan simbol dan metafora menjadi penentu karakteristik desain Perancis yang terkenal elegan dan praktis. Pendekatan yang unik dan terobosan baru tanpa menghilangkan jejak tradisi lamanya adalah sebuah kelebihan desain grafis Perancis.
Swiss Graphic Design
Richard Hollis adalah penulis buku-buku sejarah desain grafis yang telaten. Buku tentang asal mula dan perkembangan desain grafis Swiss yang terutama dikenal menciptakan standard grafis manual untuk komunikasi visual perusahaan atau korporasi dunia.
Bersama dengan negara-negara eropa lainnya, desain grafis Swiss termasuk yang setia pada tradisinya tanpa terikut-ikut trend. Kalau kita melihat penerapan 'branding' pada tingkat nasional dan internasional pada setiap produk maupun jasa, maka kita tidak boleh tidak harus mempelajari sejarahnya dari Swiss.
Saturday, January 27, 2007
Visual Communication : from Theory to Practice
Ditulis oleh Jonathan Baldwin dan Lucienne Roberts.Penerbit AVA Publishing telah memulai debut sebuah penerbitan yang berorientasi pendidikan, dimana buku-buku mereka dikarang oleh para praktisi yang mempunyai latar belakang akademik yang cukup tinggi. Hal ini memungkinkan mereka untuk mengkombinasikan antara pekerjaan dengan penerapan teori untuk membentuk mentalitas baru dalam mengembangkan kreatifitas di dunia komunikasi visual. Bukan sekedar desain yang cantik, atau keanehan kreatif belaka tetapi implementasi pemikiran kritis ke dalam proses desain. Karya-karya praktisi yang dimuat dalam buku ini bukan sekedar berdasarkan besarnya usaha yang dimiliki klien atau pekerjaan yang bermodal besar. Dengan demikian mudah-mudahan buku ini membuat desainer komunikasi visual menjadi semakin bijak.
Sunday, January 14, 2007
Handbook of Visual Communication
Handbook of Visual Communication: Theory, Methods and Media berisikan teori dan metode riset dalam dunia komunikasi visual.Komunikasi visual adalah ranah studi yang kompleks dan dinamis sifatnya, para editor buku ini mengibaratkan ranah komunikasi visual sebagai sebuah akar rizome seperti akar serabut umbi yang menyebar ke sekelilingnya. 'Sacttered' dan 'Fragmented', terpecah-pecah dan terpenggal-penggal. Demikianlah sifatnya.
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